Kara Elizabeth Walker, A Special Attraction, 2014. Helen M. Danforth Acquisition Fund. Photograph courtesy of Sikkema Jenkins & Co., New York.
Screenings begin March 12
Films and videos by contemporary artists working between the gallery space and the cinema; discussions follow. Registration requested.
Yael Bartana: True Finn—Tosi suomalainen, March 12
Raqs Media Collective: The Capital of Accumulation, April 9
Shezad Dawood: Piercing Brightness, May 14
Yael Bartana, True Finn, 2014, video still, courtesy of Petzel Gallery, New York; Annet Gelink Gallery, Amsterdam, and Sommer Contemporary Art, Tel Aviv
February 20-March 22, 2015
Alvin Boyarsky and the Architectural Association
Office for Metropolitan Architecture, Boompjes, 1982. © Office for Metropolitan Architecture. From the Collection of the Alvin Boyarsky Archive.
When Now is Night
Opens October 2, 2015
This is the first solo exhibition at an American museum for Scottish artist Martin Boyce, who has established himself as one of the foremost figures in contemporary art during the past two decades, exploring the legacy of modernist art, architecture, and design's impact on contemporary culture and social dynamics.
Martin Boyce, No Reflections. 53rd Venice Biennale, Palazzo Pisani, Venice, Italy. June 7-November 22, 2009. Courtesy of the artist; Tanya Bonakdar Gallery, New York; The Modern Institute/Toby Webster Ltd, Glasgow; Galerie Eva Presenhuber, Zurich; and Johnen Galerie, Berlin.
The Edith Stuyvesant Vanderbilt Gerry Collection
Paul Poiret, Evening Coat (detail), 1922. Gift of the Estate of Mrs. Edith Stuyvesant Vanderbilt Gerry
19th-Century Photography from the Collection
Gustave Le Gray, Ships Leaving the Port of Le Havre, ca. 1856-1857. Museum purchase: bequest of Lyra Brown Nickerson, by exchange
19th-Century American Drawings from the Collection
Winslow Homer, Boy and Horse Plowing, 1880. Bequest of Isaac C. Bates
Now on view
Turkish artist Aslı Çavuşoğlu captures the inconsistencies and mythologies that arise in the gaps between personal and collective memory and written history.
Asli Çavuşoğlu, still frame from In Diverse Estimations Little Moscow, 2011. © Asli Çavuşoğlu. Commissioned by Borusan Aş. Courtesy of NON, Istanbul.