20 North Main St
(also enter on 224
Providence, RI 02903
Open today 10 am–5 pm
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1 artist: 1 object many ways of seeing
Transmutation, an augmented-reality work by RISD professors Markus Berger and Michael Grugl, interprets and contextualizes the cover image for Manual Issue 7.
An afternoon of professional development workshops, panels, and collegial dialogue for artists and designers is presented in collaboration with the Rhode Island State Council on the Arts.
In the making, of objects, artists, and publics
by Sarah Ganz Blythe
Photographer and RISD critic Jesse Burke (RISD MFA 2005, Photography) and his daughter talk about making the images featured in the exhibition Jesse Burke: Wild & Precious.
An artist’s checklist for navigating a studio practice rooted in identity, culture, and history.
Raid the Database with Heather Leigh McPherson is the third installment in an ongoing project in which artists bring new curatorial perspectives to the museum’s extensive collections.
Pakistani-born and internationally recognized, Sikander’s (RISD MFA, 1995 Painting/Printmaking) pioneering practice takes Indo-Persian miniature painting as a point of departure.
James P. Falzone is a 2016 RISD Museum Artist Fellow, a position made possible through funding from the National Endowment for the Arts.
Curatorial assistant A. Will Brown interviews artist Julien Prévieux about his videos What Shall We Do Next? (Sequence #2) and Patterns of Life.
Community MusicWorks commissioned composer and vocalist Ken Ueno to write Four Contemplations for the restoration and rededication of RISD Museum’s Dainichi Buddha.
Nancy Prophet fellow Amber Lopez interviews artist Ariel Jackson her video The Origin of the Blues
Inspired by the Gorham Narragansett salad serving set, curatorial intern Lillian E. Webster shares the process of creating her own richly ornate, sea-encrusted jewelry
Artist Mary Beth Meehan discusses work from her series Seen/Unseen
Providence-based composer J. P. A. Falzone’s arrangement of his instrumental works for a quintet of keyboard, vibraphone, and strings. Elaborating simple mathematical structures, his music draws inspiration from Buckminster Fuller’s Six Part Push Pull Tensegrity.