20 North Main St
(also enter on 224
Providence, RI 02903
Curatorial assistant of contemporary art A. Will Brown on Raid the Database 1 with Natalja Kent
MFA painting student Jagdeep Raina on A Myriad Marginalia, an experimental studio course exploring manuscript marginalia from medieval to contemporary in both research and practice
Curator Maureen C. O’Brien discusses American drawings and watercolors in the RISD Museum collection
Curatorial Assistant A. Will Brown on Donald Moffett’s Lot 022405.
Double Take looks at one object two different ways.
John Steuart Curry’s images of the circus provide us with an insider’s look at the Ringling Bros. and Barnum & Bailey Circus in the 1930s.
In the fall of 2014, RISD art history students curated an exhibition comparing Tokaido Road views by artist Utagawa Hiroshige (1797–1858). That exhibition is now on view in the Museum.
Composer Shawn Greenlee’s experimental sound work Substitutions is inspired by the Chinese lithophone in the RISD Museum’s Asian art collection
RISD Museum conservator Ingrid Neuman discusses the challenges in caring for objects made from this ubiquitous material
How a project designed to enhance pain management was born and made possible by the collaboration between RISD Museum and the Brown Emergency Medicine Residency.
It’s impossible to know exactly what happened in prehistory, but we archaeologists have excellent tools to help us.
Curatorial assistant of contemporary art A. Will Brown interviews artist Steffani Jemison about her film Maniac Chase (2009), Escaped Lunatic (2010–2011) and Personal (2014)
RAC teens create digital and print materials on the exhibition Drawing Ambience
Indigo blue, ultramarine blue, cobalt blue, cerulean blue, zaffre blue, Facebook blue. The fourth issue of Manual is a meditation on blue.
Professor Jan Baker encouraged her letterpress class to become inspired by the Circus exhibition at the RISD Museum.
A rare female artist, Diana Mantuana’s engraving of Atilius Regulus in a Barrel plays an important role in the history of the practice of printmaking and its reception in Renaissance Italy.