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RISD printmaking professor Andrew Raftery shows his process for making ceramic decals
In the winter of 1886, the neighborhoods of Paris were transformed by an unusually heavy snowfall that lingered on the branches of trees and captured the imagination of the artist Berthe Morisot.
Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.
Inspired by the Gorham Narragansett salad serving set, curatorial intern Lillian E. Webster shares the process of creating her own richly ornate, sea-encrusted jewelry
Artist Peyton North (RISD BFA 2015, Textiles) shows us how to create stripes on a knitting machine.
Luca Cambiaso used iron gall ink and a quill pen to create this drawing in about 1570. RISD professor Andrew Raftery walks us through the making of iron gall ink and a quill pen, and explains how he copied Cambiaso’s drawing.
The process of mold-making and casting invites creative experimentation, but follows rules of precise timing and size. Artist Marisa Marofske (RISD BFA Painting, 2014) explains the steps involved in casting objects.
Andrew Raftery, an accomplished engraver and Associate Professor of Printmaking at the Rhode Island School of Design, analyzed how Early Modern engravers worked within established line systems and also diverged from them.