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Teens take on a controversial topic through a playful intervention
For Yorùbá-speaking peoples in West Africa, cloth is equated with their most precious possession, children.
Curatorial assistant A. Will Brown interviews artist Julien Prévieux about his videos What Shall We Do Next? (Sequence #2) and Patterns of Life.
Curatorial intern Anthony Stott explores the journey of the myths of Ovid—from text to visual medium—in three objects in the neoclassical galleries.
Lorén Spears discusses how a 17th-century historical account was used to assemble a painting that served 19th-century politics.
1 artist: 1 object many ways of seeing
This article explores the concept of purity in criticisms of Inuit prints by briefly introducing the history of printmaking in Cape Dorset and looking at 1970s Western art historians’ expectations of Inuit art.
Curator Maureen C. O’Brien discusses American drawings and watercolors in the RISD Museum collection
Artist Mary Beth Meehan discusses work from her series Seen/Unseen
Photographer and RISD critic Jesse Burke (RISD MFA 2005, Photography) and his daughter talk about making the images featured in the exhibition Jesse Burke: Wild & Precious.
Engaging with art objects to illuminate our mind at work, revealing vulnerabilities and pitfalls in thinking
RISD’s ancient art collection includes a vase that demonstrates how one Greek potter perfected international marketing and became one of the most prolific artisans in ancient Athens.
Lorén Spears (Narragansett Niantic), executive director of the Tomaquag Museum, provides important context for understanding this painting from 1700 of a Native leader.
Providence-based composer J. P. A. Falzone’s arrangement of his instrumental works for a quintet of keyboard, vibraphone, and strings. Elaborating simple mathematical structures, his music draws inspiration from Buckminster Fuller’s Six Part Push Pull Tensegrity.