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Dorner Prize


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RISD students are invited to submit Dorner Prize proposals for temporary, site-specific projects at the RISD Museum. This artistic intervention can take the form of a physical, digital, or programmatic encounter, and can examine, critique, or celebrate the Museum’s collections, architectural idiosyncrasies, habits of visitation, and or/web presence.

About
Dorner Prize, a juried competition for Rhode Island School of Design degree candidates, was first established in 1995 as the Sitings exhibition. Two Dorner Prize winners receive cash prizes of $500 each and implementation funds up to $1000. The winning artists work with Museum staff during each phase of the development process and are celebrated with online promotion and public events. The Dorner Prize, named for distinguished RISD Museum director Alexander Dorner (tenure 1938–1941), is made possible by a generous anonymous gift.

Recent winning entries include
White Wall
Conversation Pieces
History Bridge and Living Architecture: The Sacred Catwalk
Light Source Seeking Surface for Transparent Relationship and Back Door @ the Pendleton


2018
Winning Dorner Prize projects are on view Thursday, February 15, through Sunday, June 3, 2018.
Jurors for the Dorner Prize 2018 are Dominic Molon, Richard Brown Baker Curator of Contemporary Art, RISD Museum and Heather Rowe, Assistant Professor, Sculpture, RISD.


Cash Prize: $500
Implementation Funds: up to $1000

Table of Contents

Please direct questions to museum-academic@risd.edu.








HOW DOES THE COMPETITION WORK?

Who may participate?
Any RISD degree candidate may submit a proposal. Collaborations are welcome, and more than one proposal per entrant is allowed. Brown University students may apply with a collaborating RISD student.

How is the winning project selected?
Evaluation of the proposals is based on the following:
Content: commentary on or response to the Museum spaces and/or its collection
Originality: sensitivity to site, use of materials,
Strength of the proposal: clarity of presentation, adherence to guidelines including physical feasibility for installation
Jurors select a group of finalists. Finalists are notified and scheduled to meet with the jurors in the Museum to discuss their proposals. Two proposals are selected as winners.

Winning artists responsibilities:

  • Entering into a contract with the Museum specifying responsibilities.
  • Executing temporary projects as presented to the jurors, making only those modifications required and reviewed by the jurors and Museum staff.
  • Participating in at least two scheduled planning meetings and a studio visit with Museum staff.
  • Installing and deinstalling work under the supervision of the Museum’s registration, security, installation and digital-content staff, as applicable. The site must be restored to its original state.
  • Sharing inspiration and process with the public in informal, brief gallery talks (Work in Process program) at mutually convenient times during the month of March 2018.
  • Writing a submission for the Museum’s online resource, Manual, due April 2018. This article, 500–1250 words in length, should highlight your artistic process and documentation of ideas, materials, techniques, and meaning related to your project.








WHAT DATES DO I NEED TO BE AVAILABLE?

Review the dates below to insure that you are available for the jury interview, installation planning meeting, installation, and deinstallation.

Sunday, September 17, 1–2 pm: Site tour starting in Chace Center lobby

Thursday, September 21, 12–1 pm: Site tour starting in Chace Center lobby

Friday, October 13, 12–1 pm, and Tuesday, October 24, 12-1 pm: Office hours in Chace Center lobby. Applicants may ask questions before submitting their application

Friday, October 27, 11:59 pm: Application deadline

Week of November 13: Finalists interviews with jurors

Week of November 27: Project planning meeting by appointment

Week of January 15, 2018: Visit to winning artists’ studios by curator and installation staff by appointment

Monday, February 12: Installation begins (assistance by Museum staff may be limited and must be scheduled prior to installation)

Wednesday, February 14, noon: Installation completed

Thursday, February 15, 6–8 pm: Open to the public

March: Informal, public gallery talk

Monday, June 4, 9 am–4 pm: Deinstallation begins (assistance by Museum staff may be limited and must be scheduled prior to deinstallation)

Tuesday, June 5, 9 am–4 pm: Deinstallation complete








WHERE CAN MY WORK BE LOCATED?

  • Interior installation site: Chace Center lobby. Wall between escalator exit and door to RISD/WORKS.
  • Interior installation site: Top of landing, Museum 6th floor. Walls on either side of staircase
  • Exterior installation site: Radeke Building Facade on Benefit Street. This area is confined to the front of the Radeke Building behind the black iron fence to the left (south) and right (north) of the Museum entrance, excluding the area in front of Pendleton House
  • Performance site: Grand Gallery, Museum 5th floor.
  • Museum website, risdmuseum.org: Create a web-specific project

Proposals must be for new work designed specifically for one of the Museum sites. Participants are strongly encouraged to attend a site tour to learn the particulars about each designated site.








GUIDELINES AND HOW TO APPLY

  1. Read guidelines carefully.
  2. Familiarize yourself with available sites.
  3. Prepare proposal (see instructions below).
  4. Proposals can be submitted no later than 11:59 pm on Friday, October 27, 2017. Late applications will not be considered.

All proposals must include

  • Title
  • Project Site
  • Project Description Describe your proposed piece in 300 words or less. Include the reasons why you chose the site, and how your artistic choices were informed by the site’s inherent characteristics and respond to/comment on the Museum and/or its collections. Describe the intended impact on the viewer.
  • Installation Details Describe what your proposed piece will look like in 300 words or less: include identification of the site, materials, installation, and deinstallation details. State how your proposal will be implemented and how the site will be returned to its original condition after the exhibition.
  • Project Visuals Include sketches, drawings, diagrams, renderings, mock-ups, digital submissions etc. related to the proposed installation
  • Budget Provide a detailed budget supported by written estimates reflecting the cost of materials, subcontracted labor and any expenses related to installation and deinstallation, including returning the site to its original condition. Budgets will be carefully reviewed and may be revised. Based on the final budget and corresponding receipts, implementation costs of up to $1,000 will be provided. Funds cannot be directly disbursed to the artist. All financial transactions will be handled by the Dorner Prize coordinator, with payments processed through the RISD Business Office.
  • Additional Project Materials Include a separate listing all accompanying project materials including any electronic, audio/visual, or other equipment.
  • Previous Work Examples nclude up to three images of past work, with titles and dates of work, media, and dimensions. (For those working in collaboration, each artist may submit three visuals of previous work).

Guidelines for Proposals

Guidelines ensure the safety and security of the Museum’s visitors, collections, and staff, as well as the physical integrity of the building. In your proposal, demonstrate consideration for the unique structural qualities of the chosen site, access, traffic flow, public safety, and durability. Consult these links regarding accessible exhibition design, museum accessibility, and the Americans with Disabilities Act Standards for Accessible Design. Read the guidelines carefully and bear them in mind as you investigate the sites and plan your piece. Proposals that do not comply with the guidelines are unlikely to be chosen.

Read the guidelines for installations inside the Museum in the Chace Center Lobby and apply now

Read the guidelines for installations inside the Museum on the 6th Floor Landing and apply now

Read the guidelines for installations on the exterior of the Radeke Building Facade on Benefit Street and apply now

Read the guidelines for performance/programming in the Grand Gallery and apply now

Read the Museum website proposal guidelines and apply now