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RISDM 84-234.tif
RISDM 84-234.tif
RISDM 84-234 back.tif
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  • RISDM 84-234.tif
  • RISDM 84-234.tif
  • RISDM 84-234 back.tif
  • RISDM 84-234 back.tif
  • RISDM 84-234.tif

Henry Ossawa Tanner

The Wailing Wall
Now On View

Description

Maker

Henry Ossawa Tanner (American, 1859-1937)

Title

The Wailing Wall

Year

ca. 1898

Medium

  • Oil on canvas

Materials/Techniques

Techniques

  • Oil on canvas

Materials

oil paint

Supports

  • canvas

Dimensions

64.8 x 48.9 x 6.4 cm (25 1/2 x 19 1/4 x 2 1/2 inches)

Credit / Object Number

Credit

Gift of Paula and Leonard Granoff

Object Number

84.234

Type

  • Paintings

Exhibition History

Exhibition History

18th and 19th-Century American Galleries
Jun 19, 2015
Charles Pendleton House
Jan 02, 2015
Making It In America
Oct 11, 2013 – Feb 09, 2014

Label copy

The son of an African Methodist Episcopal bishop, Tanner studied with Thomas Eakins in Philadelphia before acquiring advanced training in Paris. He established an international reputation in 1897 when one of his biblical scenes was awarded a medal at the 1897 Paris Salon and was purchased by the French government. Later that year, Tanner traveled to Palestine to assure the accuracy of his historical narratives through firsthand observation of landscape, costume, and customs. In this study for a larger composition, devout Jews gather at the Western Wall, a remnant of the Second Temple of Jerusalem and the holiest place of prayer in the Jewish world.

An American Idyll
19th-Century Paintings and Decorative Arts
Apr 06, 2007 – Jan 06, 2008
One Voice, Many Visions
Work By African American Artists
Feb 20, 1998 – Jun 14, 1998
  • More Exhibition Hitory +

Use & Feedback

Image use

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This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Henry Ossawa Tanner (American, 1859-1937)
The Wailing Wall, ca. 1898
Oil on canvas
64.8 x 48.9 x 6.4 cm (25 1/2 x 19 1/4 x 2 1/2 inches)
Gift of Paula and Leonard Granoff 84.234

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Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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