Collection

Our collection currently contains more than 100,000 works of art and design dating from ancient times to today. Of these objects, 2,444 of them are on view in the museum now. 81,666 of them are available online. There are 4,122 recent acquisitions. All of our collection records are living documents. They are frequently revised and enhanced.

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showing 24 works out of 59

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Utagawa School

Peonies composed of lion dogs (Fukamigusa shishi no irodori), 1847-1852
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Ochiai Yoshiiku

Fuji-bakama, Chapter 30 from the Tale of Genji: The manservant Ranpei (Fuji-bakama; Yakko Ranpei), 1864.4
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Utagawa Kuniyoshi

Nakamura Kansuke Masatatsu warding off a jar of hot ashes hurled at him (Nakamura Kansuke Masatatsu), 1852.12
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Utagawa Hiroshige

Minamoto no Yoritomo: offering at the Great Buddha (Minamoto Yoritomo Daibutsu kuyo no zu), 1843-1847
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Utagawa Hiroshige

Minamoto no Yoritomo: offering at the Great Buddha (Minamoto Yoritomo Daibutsu kuyo no zu), 1800s
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Utagawa Hiroshige

Minamoto no Yoritomo: offering at the Great Buddha (Minamoto Yoritomo Daibutsu kuyo no zu), 1843-1847
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Utagawa Kuniyoshi

Scribblings on the Storehouse Wall (Nitakaragura kabe no mudagaki), 1843-1847
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Katsushika Hokusai

Cover design for Isobe's illustrated book Snow-blown Chains of Fate (Hana fubuki en no shigarami), published spring 1832
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Ochiai Yoshiiku

Maboroshi, Chapter 41 from the Tale of Genji: Taira no Tomomori (Maboroshi: Shin chunagon Taira no Tomomori), 1863.12
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Utagawa Kuniyoshi

Notes on women's conduct: stretching cloth (Zanketsu no sanpukutsui: Fujin kokoroegusa: harimono ), ca. 1842
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Utagawa Kuniyoshi

With a single arrow-shot, Tametomo sinks the finest ship of Mochimitsu as his mistress Sasaraye and his retainer Oniyasha and islanders look on in pride (Chinzei hachiro Minamoto no tametomo), ca. 1844
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Utagawa Kuniyoshi

With a single arrow-shot, Tametomo sinks the finest ship of Mochimitsu as his mistress Sasaraye and his retainer Oniyasha and islanders look on in pride (Chinzei hachiro Minamoto no tametomo), ca. 1844
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Utagawa Kuniyoshi

Recovering the Stolen Jewel from the Palace of the Dragon King (Ryugu Tamatori Hime no su), 1853
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Utagawa Kuniyoshi

Votive Tablet with Masks of Kabuki Actors taken at Face Value (Ataru hōnō negai o gakumen), ca. 1848
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Utagawa Kuniyoshi

Omiwa, representing the chapter Sakaki (The Sacred Tree) from the Tale of Genji (Sakaki omiwa ), 1845-47
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Utagawa Kuniyoshi

Toyotomi Hideyoshi escapes assassination on the ship of Yojibei (Toyotomi Hideyoshi to Yojibei), 1847-1852