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(also enter on 224
Providence, RI 02903
Open today 10 am–5 pm
RISD’s ancient art collection includes a vase that demonstrates how one Greek potter perfected international marketing and became one of the most prolific artisans in ancient Athens.
Lorén Spears (Narragansett Niantic), executive director of the Tomaquag Museum, provides important context for understanding this painting from 1700 of a Native leader.
Providence-based composer J. P. A. Falzone’s arrangement of his instrumental works for a quintet of keyboard, vibraphone, and strings. Elaborating simple mathematical structures, his music draws inspiration from Buckminster Fuller’s Six Part Push Pull Tensegrity.
The celebrated poet C.D. Wright died unexpectedly on January 12, 2016. The RISD Museum joins Brown University and the Providence community in mourning the loss of her sharp wit and generous spirit.
Wright contributed a Double Take essay on Fiona Banner’s Shy Nude to the Fall 2015 issue of Manual. Click here to read her essay and its companion piece by curator Jan Howard.
Curatorial assistant of contemporary art A. Will Brown on Raid the Database 2 with Nafis White
Curatorial assistant A. Will Brown interviews artist Julien Prévieux about his videos What Shall We Do Next? (Sequence #2) and Patterns of Life.
Curatorial intern Anthony Stott explores the journey of the myths of Ovid—from text to visual medium—in three objects in the neoclassical galleries.
Lorén Spears discusses how a 17th-century historical account was used to assemble a painting that served 19th-century politics.
Curator Maureen C. O’Brien discusses American drawings and watercolors in the RISD Museum collection
The Museum recently acquired Huevos de Los Angeles, a collaborative work by two RISD alumni, Adam Silverman and David Wiseman. Here the artists describe how they created “eggs” to rival the most coveted variety.
1 artist : 1 object :
many ways of seeing
Artist Mary Beth Meehan discusses work from her series Seen/Unseen
Photographer and RISD critic Jesse Burke (RISD MFA 2005, Photography) and his daughter talk about making the images featured in the exhibition Jesse Burke: Wild & Precious.
What are the essential questions museums need to ask themselves to understand the future of art?
For conservators, fabrics incorporating metallic components raise complex questions about construction, materials, and manufacturing techniques, all of which impact how an object will be stabilized and displayed