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(also enter on 224
Providence, RI 02903
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A summer intern explores digital technology to visually reintegrate a 3rd-century Egyptian polychrome panel painting.
Entr’acte, a visual and sound intervention by Mary Yang (RISD MFA 2017, Graphic Design), was an open rehearsal and performance exploring narrative soundscapes.
Intern Lilibeth Leon learned about writing by studying Louise Bourgeois’s Still Life.
Architects have been recognized as key figures in furniture design since the late 19th century, although they’ve certainly been designing furniture for far longer. But what compels them to do so?
A collage exploring how narrative and information is connected between separate works.
A recap of this summer’s Teen Intensive, a two-week program that explores creativity and issues that are important to teens within the context of the RISD Museum.
Inspired by the Gorham Narragansett salad serving set, curatorial intern Lillian E. Webster shares the process of creating her own richly ornate, sea-encrusted jewelry
A museum is a setting in which our desire to see is at its most heightened state. But are you actually seeing or merely looking at what has been presented to you? You see, looking is not quite the same as seeing…
Graduating high-school intern India Timpani reflects on her formative experiences at the RISD Museum
An artist’s checklist for navigating a studio practice rooted in identity, culture, and history.
This article explores the concept of purity in criticisms of Inuit prints by briefly introducing the history of printmaking in Cape Dorset and looking at 1970s Western art historians’ expectations of Inuit art.
RISD’s ancient art collection includes a vase that demonstrates how one Greek potter perfected international marketing and became one of the most prolific artisans in ancient Athens.
Curatorial intern Anthony Stott explores the journey of the myths of Ovid—from text to visual medium—in three objects in the neoclassical galleries.
MFA painting student Jagdeep Raina on A Myriad Marginalia, an experimental studio course exploring manuscript marginalia from medieval to contemporary in both research and practice