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Manual / Issue 10

Polychrome
  • Journals

Manual / Issue 11

Repair
  • Journals

Manual / Issue 5

Unfinished
  • Journals

Manual / Issue 1

Hand in Hand
  • Journals

Wood Sculptures at RISD

Excavating the Storage Room Sheila Bonde, professor and department chair, History of Art and Architecture, Brown University
College Faculty Teaching Perspectives

During the Fall of 2015, Brown’s graduate students in the Department of the History of Art and Architecture undertook an investigation of the wood sculptures in the RISD Museum collections.

A Snowy Day in Paris

Curator Perspectives

In the winter of 1886, the neighborhoods of Paris were transformed by an unusually heavy snowfall that lingered on the branches of trees and captured the imagination of the artist Berthe Morisot.

On Full Display

Acts of Curation and Censorship
Perspectives Student Voices

How are museum collections constructed? Producer Emma Vecchione searches for an answer in examining the police raid of a 1978 art exhibition, a collection of pictures at the RISD Museum, and the family photographs on top of her mother’s television set.

Old peasant woman standing, with gloved hands folded across her waist. She's wearing heavy clothing, scarf and hat.

American Drawings and Watercolors

Edwin Austin Abbey's Old Peasant Woman
Curator Drawing Perspectives

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Drawing of a yard of a cooperage on the banks of the Rhine. a landscape depicted of tan tone of a smooth-surfaced paper.

American Drawings and Watercolors

Albert Bierstadt's Landscape on the Rhine
Curator Drawing Perspectives

Albert Bierstadt was born in Solingen, Germany, but came to the United States with his family in 1832 and settled with them in New Bedford, Massachusetts.

Drawing depicting a young child lying on a bed,  the eyes and chin with deep shadows and relies on the brightness of the paper to emphasize the nose and brow. The effect of lamplight is suggested by the color of the paper as revealed through black veils of charcoal.

American Drawings and Watercolors

Eastman Johnson's Child in Bed
Curator Drawing Perspectives

Eastman Johnson was raised in Maine in a family of eight children, and

Pen and ink drawing depicting a great ravine in Amalfi, stone bridge and in the distance stucco buildings and roof of a barn.

American Drawings and Watercolors

William Stanley Haseltine's Amalfi
Curator Drawing Perspectives

William Stanley Haseltine first studied painting in Philadelphia with t

Fashionable dress women walks her dog in Boston Public Garden

American Drawings and Watercolors

Childe Hassam's Woman and Mastiff in the Boston Public Garden and Diamond Cove, Appledore
Curator Drawing Perspectives

Childe Hassam, a successful young book and magazine illustrator, made h

Half-length view of young man in overalls with mouth of jug in his left hand raised to his lips; reins held in his right hand; building visible on horizon beyond field.

American Drawings and Watercolors

Grant Wood's Plowing on Sunday
Curator Drawing Perspectives

Plowing on Sunday, from about 1934

Two young women standing on deck the Staten Island ferry on its approach to Governors Island. A middle-aged gentleman in a fedora looks towards the downtown skyline in a panorama view across southern tip of Manhattan.

American Drawings and Watercolors

Reginald Marsh
Curator Drawing Perspectives

Reginald Marsh, the son of American artists Fred Dana Marsh and Alice R

Violets in green foreground, two bare tree trunks in middle distance, trees with foliage on lighter green ground, background and sky, lavender.

American Drawings and Watercolors

Charles Burchfield
Curator Drawing Perspectives

Five works on paper in the RISD Museum’s collection follow the arc of C

Vertical composition depicting a narrow gorge whose high granite cliffs extend the length of the painting on both sides and are cropped at the upper left and right.

Marsden Hartley's Gorges du Loup, Provence

Curator Perspectives

Over the course of his artistic life, Marsden Hartley sought unmediated

Object Lessons

Curator Portfolio

Object Lessons is an ongoing video series on the RISD Museum website that focuses on works in the collection and offers new perspectives.

New Ways to Paint

Sugaring Off
Curator How To Perspectives

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

New Ways to Paint

Simone in a Blue Bonnet
Curator How To Perspectives

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

New Ways to Paint

A Boating Party
Curator How To Perspectives

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

Ingres Study in Three Parts

Curator Perspectives

Insights into Ingres's studio practice and clues to his intellectual process

“The best portrait Joseph Blackburn [never] painted”

John Singleton Copley’s Portrait of Theodore Atkinson, Jr.
Curator Perspectives

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

Talks and Conversations

Women's Spheres: Connections and Relationships

Part of RISD’s Founders Day event schedule
March 9, 2021 / 12-1 pm
Talks and Conversations Performances and Screenings

Assembly: Poetry Reading

Virtual program via Zoom
January 3, 2021 / 7-8 pm

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