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Image

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Jan van de Velde II

The Sorceress

Description

Maker

Jan van de Velde II (Dutch, ca. 1593-1641)

Title

The Sorceress

Year

1626

Medium

  • engraving

Materials/Techniques

Techniques

  • engraving

Materials

null

Supports

  • Light weight cream laid paper

Dimensions

Plate: 21.3 x 28.6 cm (8 3/8 x 11 1/4 inches)

Signature / Inscription / Marks

In Plate--signed and dated in LR:Jan V. Velde. fecit.1626.; Six line Latin inscription in LC:Quantum malorum clausa nullo limite... (see print)

Marks: RISD museum stamp in brown ink on verso Watermark:crown over shield with two stripes on it and the letter O

Identification

State

ii/iii

Credit / Object Number

Credit

Gift of Mrs. Murray S. Danforth

Object Number

53.317

Type

  • Prints

Projects & Publications

Publications

  • Books

The Brilliant Line: Following the Early Modern Engraver, 1480-1650

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the physical process of engraving informed its visual language; the context for the spread of particular engraving styles throughout Europe; and the interests, knowledge, and skills that Renaissance viewers applied when viewing and comparing engravings by style or school.

  • Journal

Manual / Issue 7: Alchemy

Exhibition History

Exhibition History

The Brilliant Line
Following the Early Modern Engraver, 1480-1650
Sep 18, 2009 – Jan 03, 2010

Label copy

This “black” print reflects the market for prints with dramatic, flickering illuminations similar to effects in paintings of the period. Where some of Jan van de Velde’s contemporaries may have utilized etching and engraving together with plate tone to achieve darker tonalities, Van de Velde used engraving alone. His effects are achieved by approaching the plate systematically, using few dots, and densely layering fine and exceptionally long lines in parallel and crossed courses. This extremely laborious process was hard won and rarely attempted by others.

This sinister scene depicts a young, nubile witch in classical garb preparing a nasty brew for her Sabbath, surrounded by her “familiars,” beasts of every conceivable concoction, including a goat, the traditional symbol of lust. Some of the symbols-such as the cards, die, and tobacco in the foreground-would be more common to a vanitas image, serving to warn that life is fleeting and that temporal pleasures should be avoided. The verses further attest to this mixed meaning by condemning the evil effects of lust on the minds of mortals and the triumph of death over all humankind.

Use & Feedback

Image use

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This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Jan van de Velde II (Dutch, ca. 1593-1641)
The Sorceress, 1626
Engraving
Plate: 21.3 x 28.6 cm (8 3/8 x 11 1/4 inches)
Gift of Mrs. Murray S. Danforth 53.317

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Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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