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Publications `
Manual: Polychromy

In art, especially, polychrome invites us to the dialogue that colors are always having amongst themselves. A history of polychrome could be a series of poems exchanged among colors. The exchange might exhibit something like perpetual newness, again and again revealing differently bent hues and movingly novel blends. It would be a short-line poetry, excruciatingly sensitive to tone. Its speakers would have no names, so it would confuse the psychology of human orientation. In this connection, a warning against rendering polychrome as a pure positive seems in order: the parties to this dialogue talk at cross-purposes, always on the brink of divorcing. Polychrome can offend and destroy. It conscripts discrete colors in order to sacrifice them. Does polychrome offend by mocking our own failure to connect? In any case, polychrome has an advanced idiom for dealing with conflict. It's at home with uncertainty.

—Darby English, from the introduction to Issue 10: Polychrome

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Free membership for newly naturalized RI citizens

The Museum announced a program to welcome newly naturalized U.S. citizens living in RI with ​a ​free one-year​ membership​. New citizens can sign up at​​ the visitor services desk ​by showing a copy of their naturalization certificate. ​

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Soft as a Lambs Ear: Portrait of a Woman Wearing Wool

Curator Laurie Brewer investigates a Dutch/Flemish portrait from the mid-15th to 16th century.

On view
Pledges of Allegiance

A nationwide art project organized by the New York–based public arts nonprofit Creative Time.
On view September 13, 2017–July 31, 2018.

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More than 100 artists, scholars, designers, and students offer their perspectives on objects

Artist Programs

Explore how art and design can provoke fresh ideas and stimulate creativity

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Double Take

Two specialists offer their views on a single object.

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​On View
Dorner Prize

The RISD Museum is pleased to announce the winners of the 2018 Dorner Prize,​ ​a juried competition for Rhode Island School of Design degree candidates​ ​now on view through June 3. Draft Catalog, a publication and installation by Raina Wellman, Theia Flynn, and Eliza Chen, is presented in the Chace Lobby, while Kolam–Mysticism in Geometry, a work by Ramkumar Rajendran and Vishnu Vijithatma Uppalapati, is on view at the entrance to the Asian art galleries on the ​M​useum's sixth floor.

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Now Online

View a listing of RISD Museum publications.