20 North Main St
(also enter on 224
Providence, RI 02903
Open today 10 am–5 pm
Open today 10 am–5 pm
"The most anticipated night of the summer" is back by popular demand! Enjoy a free night of discovery, art-making, music, and fun. Participate in hands-on activities and artists' projects, wander the galleries, and grab refreshments. For all ages.
Stay tuned for updates on performances, activities, and offerings.
Free, all are welcome!
The Museum announced a program to welcome newly naturalized U.S. citizens living in RI with a free one-year membership. New citizens can sign up at the visitor services desk by showing a copy of their naturalization certificate.
Curator Laurie Brewer investigates a Dutch/Flemish portrait from the mid-15th to 16th century.
More than 100 artists, scholars, designers, and students offer their perspectives on objects
Explore how art and design can provoke fresh ideas and stimulate creativity
Two specialists offer their views on a single object.
In art, especially, polychrome invites us to the dialogue that colors are always having amongst themselves. A history of polychrome could be a series of poems exchanged among colors. The exchange might exhibit something like perpetual newness, again and again revealing differently bent hues and movingly novel blends. It would be a short-line poetry, excruciatingly sensitive to tone. Its speakers would have no names, so it would confuse the psychology of human orientation. In this connection, a warning against rendering polychrome as a pure positive seems in order: the parties to this dialogue talk at cross-purposes, always on the brink of divorcing. Polychrome can offend and destroy. It conscripts discrete colors in order to sacrifice them. Does polychrome offend by mocking our own failure to connect? In any case, polychrome has an advanced idiom for dealing with conflict. It's at home with uncertainty.
—Darby English, from the introduction to Issue 10: Polychrome
View a listing of RISD Museum publications.
A nationwide art project organized by the New York–based public arts nonprofit Creative Time.
On view September 13, 2017–July 31, 2018.