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Unknown Maker, Hopi

Sa'lakwmana (Shalako Maiden) figure

Maker

Unknown Maker, Hopi

Culture

Hopi, Native North American

Title

Sa'lakwmana (Shalako Maiden) figure

Year

early 1900s

Medium

  • Cottonwood and pigments

Materials/Techniques

Techniques

  • Cottonwood and pigments

Materials

paint, feather

Geography

Place Made: Arizona

Dimensions

38.4 x 21.9 cm (15 1/8 x 8 5/8 inches) (overall height)

Credit / Object Number

Credit

Museum Works of Art Fund

Object Number

44.615

Type

  • Sculpture

Publications

  • Journal

Manual / Issue 15: Green

RISD Museum’s Manual 15 Celebrates Green

New life is always shown to us through mokingpu, the color green-the light green stems of rabbitbrush, one of the few colors seen the winter; the tender green shoots of new corn that emerge in the spring against the backdrop of the dry brown earth. Green offers hope. Green represents life.

-Susan Sekaquaptewa

A welcome splash of color after a long winter, the RISD Museum’s fifteenth issue of Manual is awash in shades of green, celebrating the color's myriad associations with nature and growth, environmentalism and sustainable practices, newness and hope (as well as poison and currency) and delving into the histories of specific pigments and processes. Manual 15 opens with an introductory essay by Hopi grower Susan Sekaquaptewa, who details the soft hues of the flora of Northern Arizona. “You appreciate plants more when you develop a relationship with them,” she explains.

This issue of Manual is supported in part by a grant from the Rhode Island State Council on the Arts, through an appropriation by the Rhode Island General Assembly and a grant from the National Endowment for the Arts. Additional generous support is provided by the RISD Museum Associates and Sotheby’s.

  • Books

Selected Works

Exhibition History

Form, Pattern, and Function
Design in American Indian Art
Dec 04, 1992 – Jan 24, 1993

Label copy

To the Hopi and Zuni Indians, the word "kachina" has two meanings. Most important are the spirit-beings who live in the underworld and are the intermediaries between people and the gods, bringing fire, rain, and sunshine, or who represent animals, plants, ogres, war leaders and other important figures in legend and mythology. For several months a year these kachinas come to live in the pueblos, from time to time performing dances. During this time they are impersonated by men who take the form of the spirits, wearing the distinctive masks and costumes of each kachina. These personators are also called "kachinas."

Small carved wooden kachina figures are customarily given to children to teach them to recognize the kachinas in their costumes as they impersonate the spirits. They are neither idols nor dolls, but are serious and treasured teaching devices which occupy a prominent place in a home, being attached to rafters or displayed on walls. The Museum's collection includes a figure of the Zuni kachina maiden Hoho Mana, of uncertain function, but a form that derives from a kachina mask found in an Awatovi pictograph dating to prehistoric times, as well as a Zuni warrior kachina. Also in the collection is a Hopi kachina with elaborate tableta, Polik Mana, the butterfly kachina maiden, collected before 1919 in Oraibi Pueblo, Arizona, and purchased from trader Fred Harvey. This kachina has a rainbow mouth and a headdress of clouds, personifying the beauty and fertility of the earth that follows the rain. All the Museum's kachinas are of an early type with less detail than figures made in the 20th century.

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Unknown Maker, Hopi
Sa'lakwmana (Shalako Maiden) figure, early 1900s
Cottonwood and pigments
38.4 x 21.9 cm (15 1/8 x 8 5/8 inches) (overall height)
Museum Works of Art Fund 44.615

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Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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