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Glimpses of Grandeur

Courtly Arts of the Later Islamic Empires
September 24 - December 26, 1999

Introduction

Lavish textiles played an important role in the palace life and the court ceremonies of the Islamic world. Palace interiors were filled with shimmering silks, colorfully embroidered cottons, and intricately patterned weavings. In Mughal India, the most spectacular fabrics were reserved for the emperor's coats (jamas) and sashes (patkas). Mughal emperors took special care to coordinate their ensembles, as is evidenced in miniature paintings that depict the emperor resplendent in his harmoniously colored garments and jewels. This type of arrangement may be appreciated in the Portrait of Emperor Jahangir (acc. no 81.230), an early seventeenth-century representation of the emperor dressed for court, but few actual garments or textiles survive from this time period. The coats and sashes in the Museum's collection give an idea of the opulence that characterized the Mughal courts of India, although they postdate the peak of Mughal political power.

Islamic textiles also played an important role in court disdplay and in royal exchange. Silk was the preeminent luxury fabric, prized for its sheen. Silk costumes, like the Mughal robes displayed in this gallery, announced an individual's identity and social rank. The Safavid helmet and Mughal dagger on display in this gallery served a similar social role in the court context in addition to their practical function in combat.

Commerce in silk was an important component in the long-distance luxury trade of the Islamic world. But silk was not the only item of trade and exchange. Ceramics, rugs, and other objects were also eagerly sought. This gallery features a sampling of these items. The Ottomans and Safavids, in particular, acquired Chinese porcelains (acc. nos. 35.665, 35.666) and emulated the technique in their own vessels. Islamic silks, velvets, and rugs were sought by Westerners, who in turn copied their styles. Some of these derivative textiles, such as Italian velvets made in the Turkish style, become desirable commodities at the Ottoman court and were themselves copied. Jade, a rare and expensive Central Asian commodity, was prized at the early seventeenth-century court of the Mughal emperor Jahangir, who jadelike wine cup is also on display at the center of this gallery. These objects emphasize the lively economic and cultural exchange that occurred between the later Islamic empires and the Far East and Europe beginning in the sixteenth century.

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Glimpses of Grandeur: Courtly Arts of the Later Islamic Empires

This exhibition is the product of a graduate seminar at Brown University, taught by Sheila Bonde, Professor of History of Art and Architecture, and Aimeée Froom, doctoral candidate at the Institute of Fine Arts, New York University, and Theodore Rousseau Fellow, Metropolitan Museum of Art.

Selected Objects

Unknown Maker, Indian

Choga (Man's Robe)

Unknown Maker, Near Eastern

Cushion Cover

Unknown Maker, Iranian

Camel, early

Fahri of Bursa

Papercut from a Poetry Album, ottoman
A watercolor and ink painting of a white-turbaned bearded man riding a dappled blue horse. Surrounding him are archers, riflemen and other riders. Spectators peek behind hills above.

Ibrāhīm Mahmūd 'Abd al-Bāqī

Sultan Süleyman Hunting, ottoman

Unknown Maker, Indian

Man's coat

Fahri of Bursa

Papercut from a poetry album, ottoman

Unknown Maker, Persian

Laila and Majnun at School, Safavid
  • More objects +
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