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Hiroshige's "Fifty-Three Stages of the Tokaido"

A Journey through Japanese Woodblock Prints, Part I
May 23 - August 24, 1997

Introduction

In his "Fifty-Three Stages of the Tokaido" Hiroshige captured the myths and realities of the travel boom in nineteenth-century Japan. At this time, the notion of traveling caught hold of the popular imagination, and thousands of men, women, and children set out to sightsee and make pilgrimages, often combining both activities. The Tokaido (Eastern Sea Route) was the most heavily traveled highway in Japan. Designed as the main artery between the great cities of Edo (modern Tokyo) and Kyoto, the Tokaido traversed many sites of scenic beauty and religious importance.

The woodblock series displayed in this exhibit was extremely popular both for its subject matter and for the artist's innovative style. Hiroshige designed these prints between 1832 and 1833 after having traveled the route as part of an official procession from Edo to Kyoto. By combining diverse landscape images and scenes of everyday life, Hiroshige gives each station a distinct character. He creates a sense of space and movement that encourages the viewer to enter his images.

Journey along with Hiroshige's travelers through the artist's unique vision of the Tokaido.

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Utagawa Hiroshige 歌川広重

Scene at the boundary marker Fujikawa (Fujikawa bohana no zu), Edo (Japanese period)

Utagawa Hiroshige 歌川広重

Fuchū: Abe River (Fuchū abegawa), Edo (Japanese period)

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Totsuka: Motomachi Fork (Totsuka motomachi betsudō), Edo (Japanese period)

Takenouchi Magohachi 竹内孫八

Hakone: View of the Lake (Hakone kosui no zu), Edo (Japanese period)

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Ferryboats Arai (Arai watashibune no zu), Edo (Japanese period)

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Shinagawa: Sunrise (Shinagawa hinode), Edo (Japanese period)
A vibrant scene with workers carrying passengers in green buggy’s, while others dine and socialize inside a large open-sided building surrounded by trees.

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Kusatsu: Famous Post House (草津名物立場 Kusatsu meibutsu tateba), Edo Period
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