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Introduction

Meisho

Depictions of Famous Places in Japan
June 9 - September 5, 1999

Meisho ("famous places") are locations celebrated for their natural beauty and rich religious and literary associations, frequently expressed as highly conventionalized poetic attributes. The tradition of painting such sites -- originally in and around the ancient capitals of Kyoto and Nara -- is known from as early as the Heian period (794-1185). By the Edo period (1603-1868), the term meisho was used popularly to refer to locales visited for relaxation and pleasure. City dwellers flocked to suburban areas for restful outings, while the practice of traveling through Japan's more spectacular scenery also became widespread. The early 19th century saw the proliferation of landscape and cityscape subjects within traditional woodblock printing (ukiyo-e).

Two great printmakers are associated with the rising landscape genre: Hokusai (1760-1849) and Hiroshige (1797-1858). Hokusai's Thirty-Six Views of Mt. Fuji (actually forty­six in number) was the groundbreaking series (around 1829-33). This volcanic mountain with its characteristic conical form is still classified as active. The Japanese have always regarded Mt. Fuji as most sacred. Hiroshige's Fifty-Three Stations of the Tokaido followed in about 1833-34. The Tokaido (Eastern Sea Route) connected Edo (modern Tokyo), the seat of the feudal warlord or shogun, with the ancient capital of Kyoto, where the emperor continued to reside. Tradition has it that Hiroshige traveled the Tokaido in 1832 with the delegation bringing the shogun's annual spring tribute to the emperor.

These series were succeeded by many others that expanded and developed the themes originated by Hokusai and Hiroshige. In this exhibition, prints from sets by Hokusai and Hiroshige may stand independently or may be contrasted with various renditions by other artists of the same or similar subjects. One group of Hiroshige's works focuses on the bird­and-flower theme with sites in the background, while selections from four other of his series show how he varied his compositions and introduced new elements into familiar views. These engaging images illustrate the popularity of landscapes and cityscapes in 19th-century Japan.

Selected Objects

Katsushika Hokusai

Ejiri, Suruga Province (Shunshu ejiri), ca. 1829-1833

Utagawa Hiroshige

Mie River, Yokkaichi (Yokkaichi miegawa), ca. 1833

Utagawa Hiroshige

Cuckoo above Eitai Bridge (Eitaibashi no hototogisu), 1835-1839

Utagawa Hiroshige

Moon reflected in the rice fields at Sarashina, Shinano Province (Shinshu sarashina tagoto no tsuki), 1853.5

Utagawa Hiroshige

The hundred thousand-tsubo plain, Susaki, Fukagawa (Fukagawa susaki jumantsubo), 1857

Utagawa Hiroshige

Full moon over Takanawa (Takanawa no meigetsu), ca. 1831-1832

Katsushika Hokusai

Mount Fuji from Goten-yama at Shinagawa on the Tōkaidō (Tōkaidō Shinagawa Goten-yama no Fuji ), ca. 1830-1831

Utagawa Hiroshige

Iris garden at Horikiri (Horikiri no hanashōbu), 1852, 4th month

Utagawa Hiroshige

The Tamaya restaurant at Ura Gate, Kameido, 1838-1840

Sadahiro Utagawa

Yokkaichi, late 1830's

Utagawa Hiroshige

Toi Jewel River, Settsu Province, 1857

Takenouchi Magohachi, publisher

Mariko: Famous Teahouse (Mariko meibutsu chamise), ca. 1833

Utagawa Hiroshige

Cherry trees in full bloom, Arashiyama (Arashiyama manka), ca. 1834

Utagawa Hiroshige

Iris garden, Horikiri (Horikiri no hanashobu), 1857

Utagawa Hiroshige

Snow in the Kiso Gorge, Shinano Province (Shinshū Kiso no yuki), 1859, 10th month

Utagawa Hiroshige

Shinobazu Pond (Shinobazu no ike), ca. 1836

Utagawa Hiroshige

Iris garden at Horikiri in the eastern capital (Toto meisho horikiri no hana shobu; Sumida sekiya no sato koumedera ko no mukae fukei miharu), 1852.4

Utagawa Hiroshige

Iris garden at Horikiri in the eastern capital (Toto meisho horikiri no hana shobu; Sumida sekiya no sato koumedera ko no mukae fukei miharu), 1852.4

Utagawa Hiroshige

Iris garden at Horikiri in the eastern capital (Toto meisho horikiri no hana shobu; Sumida sekiya no sato koumedera ko no mukae fukei miharu), 1852.4

Utagawa Hiroshige

Moon reflected in the rice fields at Sarashina, Shinano Province (Shinshu sarashina tagoto no tsuki), 1853.5

Utagawa Hiroshige

Moon reflected in the rice fields at Sarashina, Shinano Province (Shinshu sarashina tagoto no tsuki), 1853.5

Utagawa Hiroshige

Moon reflected in the rice fields at Sarashina, Shinano Province (Shinshu sarashina tagoto no tsuki), 1853.5

More objects +

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