Amy Lee Sanford, a Cambodian-American artist, evokes individual, social, and cultural repair in this powerful performance.

How does a landscape painting made in 1828 by English-American artist Thomas Cole both reinforce and intervene in settler-colonial ideas about the environment and Native American people?

During the Fall of 2015, Brown’s graduate students in the Department of the History of Art and Architecture undertook an investigation of the wood sculptures in the RISD Museum collections.

These are additional resources we’ve found useful to engage in dialogue and to provide information around environmental and climate issues, impacts and actions.

What happens when an analog object is brought into a digital space or when an analog object inspires a digital work?

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

Traditional museum practice has a gigantic carbon footprint. How is the RISD Museum changing its own practices in response to the climate emergency?

An intern explores the history of works from the museum’s ancient collection, tracing the archaeological excavations that brought them to light and into the permanent collection.