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showing 15 search result out of 15

Boots 2009.92.213

"Two Boots" and Four Portraits

The RISD Museum’s 2009 acquisition of the Richard Brown Baker collection included two drawings by the English artist Howard Selina—Cowboy Hat (1974) and Two Boots (1974)—carefully and precisely rendered drawings in graphite on paper of well-worn, utilitarian garments.

THE MAGICAL M(A)US(OL)EUM OF MINNIE N TURNER

College Student Voices

A summer intern's short story/poem about a cat that investigates the spatial politics of Duchamp’s 'Boîte-en-valise' and also falls in love

Crusading Saint

College Student Voices

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

Ingres Study in Three Parts

Curator

Insights into Ingres's studio practice and clues to his intellectual process

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

Colored pencil drawing of a white middled aged woman in a bright blue dress and sunglasses. Sh is seated on a red chair and holds a colorfully embroidered purse in her right hand.

Portrait of an Embroidered Purse

A Conversation with Christina Bevilacqua
Student Voices Artist

The handmade object has a tendency to prompt memories from the craftsperson who made it. In this reflection on an embroidered purse from the 1970s, Ariel Wills and Kate Irvin are joined by maker Christina Bevilacqua for a dynamic conversation that demonstrates the narrative qualities embodied in material culture.

Julien Prévieux, Patterns of Life, 2014. Single-channel video; color, sound. The artist and Galerie Jousse Entreprise

What Shall We Do Next?

An Interview with Artist Julien Prévieux
Curator Artist

Curatorial assistant A. Will Brown interviews artist Julien Prévieux about his videos What Shall We Do Next? (Sequence #2) and Patterns of Life.

Inuit Printmaking and the Concept of Purity

College Student Voices

This article explores the concept of purity in criticisms of Inuit prints by briefly introducing the history of printmaking in Cape Dorset and looking at 1970s Western art historians' expectations of Inuit art.

Fashionable dress women walks her dog in Boston Public Garden

American Drawings and Watercolors

Childe Hassam's Woman and Mastiff in the Boston Public Garden and Diamond Cove, Appledore
Curator Drawing

Childe Hassam, a successful young book and magazine illustrator, made his first trip abroad in 1883, disembarking in Great Britain then making a wide sweep through France, Holland, Switzerlan

A nude woman chained to a rocky cliff looks up towards a red-caped, sword-wielding warrior on horseback descending from the sky while a sea monster emerges from the waves below.

As Is Painting, So Is Poetry

Myth and Metamorphosis in the RISD Gallery
College Student Voices

Curatorial intern Anthony Stott explores the journey of the myths of Ovid—from text to visual medium—in three objects in the neoclassical galleries.

A portrait of a blond-haired, dark-eyed, rosy-cheeked child in a voluminous blue bonnet and top painted with soft, loose brush strokes and unfinished areas revealing the tan canvas beneath.

New Ways to Paint

Simone in a Blue Bonnet
Curator How To

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

Surprise Endings: Gorham Silver's Mythologique

Curator

This rare example of Gorham's "Mythologique" flatware service was purposefully left unfinished as they are samples, combining elaborate hand-worked detail with mechanized brute force.

Collaboration and the Late-Medieval Book

Curator

Books of hours made during the late Middle Ages and Renaissance were products of collaboration between scribes, illuminators, bookbinders, and, sometimes, the original patron or owner. A recent acquisition of a French book of hours made in Rouen around 1510 tells the story of this collaboration through the structure of its contents, iconography, and assembly.

Painting and Sculpture storage recreated for the RISD Museum installation of Raid the Icebox.

Raid the Icebox

Curator From the files

In 1969, artist Andy Warhol was invited to curate an exhibition at the RISD Museum using works from the permanent collection that were not on view, but in storage.

How Do We Imagine the Future?

College Student Voices

The future is an abstract concept, hard to decode and difficult to predict. A summer intern reflects on fashion and future in this creative writing piece.

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