Judith Tannenbaum
Curator
Studio Notes
Artist
Arlene Shechet discusses the production of works for and the installation design of Arlene Shechet: Meissen Recast with the exhibition's curator, Judith Tannenbaum.
Elizabeth A. Williams
Curator
This rare example of Gorham's "Mythologique" flatware service was purposefully left unfinished as they are samples, combining elaborate hand-worked detail with mechanized brute force.
A Boating Party
Maureen C. O’Brien
Curator
How To
Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.
Simone in a Blue Bonnet
Maureen C. O’Brien
Curator
How To
Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.
Sugaring Off
Maureen C. O’Brien
Curator
How To
Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.
The Gorham Writing Table and Chair
Elizabeth A. Williams
Curator
After a half-century's journey, Gorham's magnificent writing table and chair made for the 1904 St. Louis World's Fair returned home to Providence.