Studio Notes

A student dismantles the outdated terminology and practice of “master copies” by constructing a series of copies that works to bolster underrepresented artists and subvert the pervasive presence of white males in the Western art canon.

A summer intern's 3-dimensional visualization and virtual reality exploration of the Kanzeon Raijin Gate in Edo, Japan, as seen in an 1820s print.

2017 Artist Fellow Walker Mettling delves into the history and context of a previously overlooked textile with colonial origins.

This salad spoon and fork set, made by the Gorham Manufacturing Company ca. 1885, is named after the coastal town of Narragansett, Rhode Island. Replete with intricately detailed shells, seaweed, and sea creatures—including small fish and tiny crabs—these two sea-encrusted utensils were my point of inspiration for a set of five brooches. In the following article I will describe some of the basic processes used to create my Narragansett-inspired jewelry

Drawing in a museum is a way of slowing down and experiencing artwork on a nonverbal level.