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  • Gray tweed skirt with black and white geometric pattern throughout. The top of the skirt is a lighter gray with a singular black button in the center.
  • Back-view of a gray tweed skirt with black and white geometric diamond and cross motifs throughout. The top of the skirt is light gray with similar misaligned geometric patterns.

Emme Studio

Ari Mini
Recent Acquisition

Maker

Emme Studio (Native American)
Korina Emmerich (b. 1985)

Title

Ari Mini
Misshapen Chaos of Well Seeming Forms Collection

Year

Fall 2022

Medium

  • Pendleton® fabric (wool and cotton),
  • metal hardware; hand-tailored

Materials/Techniques

Techniques

  • Pendleton® fabric (wool and cotton),
  • metal hardware; hand-tailored

Dimensions

Size: Medium

Credit / Object Number

Credit

Museum purchase: gift of Frances Middendorf

Object Number

2023.3.2

Type

  • Costume

Exhibition History

Diné Textiles
Nizhónígo Hadadít’eh, They are Beautifully Dressed
Sep 02, 2023 – Sep 29, 2024

Label copy

Korina Emmerich founded her slow-fashion brand, Emme Studio, to “expose and dismantle systems of oppression in the fashion industry and challenge colonial ways of thinking.” She grew up in Oregon, where Pendleton Woolen Mills is based. As an Indigenous designer of Puyallup heritage (Washington State), Emmerich uses Pendleton fabric to reclaim Native American patterns.

Pendleton frequently stole designs from Diné weavers; this example includes the Spider Woman cross, seen in the chief-style blanket also in this case. Pendleton named this textile “Kiva Steps” in reference to the terraced steps of Hopi and Pueblo underground ceremonial rooms.

Image use

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In copyright This object is in copyright

Tombstone

Emme Studio (Native American)
Korina Emmerich (b. 1985)
Ari Mini; Misshapen Chaos of Well Seeming Forms Collection, Fall 2022
Pendleton® fabric (wool and cotton), metal hardware; hand-tailored
Size: Medium
Museum purchase: gift of Frances Middendorf 2023.3.2

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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