Skip to main content

Visit Main Menu Block

  • Hours & Admission
  • Accessibility & Amenities
  • Tours & Group Visits
  • Visitor Guidelines

Exhibitions and Events Main Menu Block

  • Exhibitions
  • Events

Art and Design Main Menu Block

  • Collection
  • Collection Research
  • Past Exhibitions
  • Watch / Listen / Read

Footer Main

  • Become a Member
  • Who We Are
  • Opportunities
  • Rent the Museum
Previous image 1 2 / 2 Next image

Gérard Edelinck

The Battle of Anghiari

Maker

Gérard Edelinck (Flemish, 1640-1707), printmaker
After Peter Paul Rubens (Flemish, 1577-1640), associated artist/maker
After Leonardo da Vinci (Italian, 1452-1519), associated artist/maker

Title

The Battle of Anghiari

Year

1657-1666

Medium

  • engraving

Materials/Techniques

Techniques

  • engraving

Materials

engraving

Supports

  • Medium weight cream laid paper

Dimensions

Plate: 46.8 x 61.9 cm (18 7/16 x 24 3/8 inches)

Identification

State

state ii

Credit / Object Number

Credit

Bequest of Isaac C. Bates

Object Number

13.1216

Type

  • Prints

Publications

  • Books

The Brilliant Line: Following the Early Modern Engraver, 1480-1650

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the physical process of engraving informed its visual language; the context for the spread of particular engraving styles throughout Europe; and the interests, knowledge, and skills that Renaissance viewers applied when viewing and comparing engravings by style or school.

Exhibition History

The Brilliant Line
Following the Early Modern Engraver, 1480-1650
Sep 18, 2009 – Jan 03, 2010

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Gérard Edelinck (Flemish, 1640-1707), printmaker
After Peter Paul Rubens (Flemish, 1577-1640), associated artist/maker
After Leonardo da Vinci (Italian, 1452-1519), associated artist/maker
The Battle of Anghiari, 1657-1666
Engraving
Plate: 46.8 x 61.9 cm (18 7/16 x 24 3/8 inches)
Bequest of Isaac C. Bates 13.1216

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

Footer Main

  • Become a Member
  • Who We Are
  • Opportunities
  • Rent the Museum

Footer Main Navigation

  • Visit

    • Hours & Admission
    • Accessibility & Amenities
    • Tours & Group Visits
    • Visitor Guidelines
  • Art & Design

    • Collection Research
    • Collection
    • Past Exhibitions
  • Join / Give

    • Become a Member
    • Give
  • Exhibitions & Events

    • Exhibitions
    • Events
  • Watch / Listen / Read

    • The Latest
    • Publications
    • Articles
    • Audio & Video

Footer Secondary Navigation

  • Who We Are
  • Opportunities
  • Image Request
  • Press Office
  • Rent the Museum
  • Terms of Use
Tickets
Homepage
Go to the risd.edu homepage. This link will open in a new window.