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Francesco Villamena

The Brawl of Bruttobuono

Maker

Francesco Villamena (Italian, 1566-1624)

Title

The Brawl of Bruttobuono

Year

1601

Medium

  • Engraving on paper

Materials/Techniques

Techniques

  • Engraving on paper

Materials

ink

Supports

  • paper

Dimensions

Sheet: 38.6 x 50.8 cm (15 3/16 x 20 inches)

Signature / Inscription / Marks

Lettered LL, within image: "F. Villamena / Inventor". Lettered below image: "All'Ill.mo Sig.r Pro.n mio Col.mo Il Sig.r Ciriaco Mattei [...] Francesco Villamena 1601"

Identification

State

i/ii

Credit / Object Number

Credit

Georgianna Sayles Aldrich Fund

Object Number

2008.19.2

Type

  • Prints

Publications

  • Books

The Brilliant Line: Following the Early Modern Engraver, 1480-1650

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the physical process of engraving informed its visual language; the context for the spread of particular engraving styles throughout Europe; and the interests, knowledge, and skills that Renaissance viewers applied when viewing and comparing engravings by style or school.

Exhibition History

The Brilliant Line
Following the Early Modern Engraver, 1480-1650
Sep 18, 2009 – Jan 03, 2010

Label copy

Here, Francesco Villamena created a composition of his own invention. Utilizing few types of marks, which are widely spaced and exceptionally neat, and allowing the white of the page to play an important role in defining light and dark, Villamena’s engraving system emphasizes a dynamic sense of rhythm and design. Moiré patterns, made from lines crossed at slight angles, dominate the most heavily shaded areas.

The engraving is dedicated to the great patron of the arts Ciriaco Mattei (1542-1614), whose villa appears in the background. Spanish possession of territories in Southern Italy was widely contested in this period by various foreign powers. Villamena shows a street brawl between the so-called Bruttobuono, a supporter of the Spanish, and stone-throwing pro-French thugs. The sinister cloaked figure at far left is about to attack the doomed Bruttobuono with a sword. The pro-Spanish Mattei apparently gave sanctuary to the mortally wounded Bruttobuono in this real-life event.

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Francesco Villamena (Italian, 1566-1624)
The Brawl of Bruttobuono, 1601
Engraving on paper
Sheet: 38.6 x 50.8 cm (15 3/16 x 20 inches)
Georgianna Sayles Aldrich Fund 2008.19.2

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Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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