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Front view of a vibrant, carved wooden sculpture depicting a serene face wearing a cloth draped around its head. The bust features smooth contours and a crack alongside its nose.
Three quarter front view of a vibrant, carved wood sculpture depicting a serene face wearing a cloth around its head and neck. The bust features smooth contours and a polished finish.
Profile view of a vibrant, carved wood sculpture depicting a serene face wearing a draped cloth around its head. It is smooth, besides a vertical crack alongside its nose.
Back view of a carved wood sculpture depicting a head and neck. It is smooth, besides the bottom, where the wood is left uncarved and features cracks. The signature “Elizabeth Prophet” is thinly carved into the neck.
Three quarter front view of a vibrant, carved wood sculpture depicting a serene face wearing a draped cloth around its head. It is smooth, besides a vertical crack alongside its nose.
Three quarter back view of a carved wood sculpture depicting the back of a head and neck. Part of a cheekbone and brownbone are visible towards the front. The signature “Elizabeth Prophet” is thinly carved into the neck.
Profile view of a vibrant, carved wood sculpture depicting a face wearing a draped cloth around its head and neck. The bust features smooth contours and a polished finish.
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  • Front view of a vibrant, carved wooden sculpture depicting a serene face wearing a cloth draped around its head. The bust features smooth contours and a crack alongside its nose.
  • Three quarter front view of a dull wooden sculpture depicting a serene face wearing a draped cloth around its head. It features smooth contours and a vertical crack alongside its nose.
  • Three quarter front view of a vibrant, carved wood sculpture depicting a serene face wearing a cloth around its head and neck. The bust features smooth contours and a polished finish.
  • Profile view of a vibrant, carved wood sculpture depicting a serene face wearing a draped cloth around its head. It is smooth, besides a vertical crack alongside its nose.
  • Back view of a carved wood sculpture depicting a head and neck. It is smooth, besides the bottom, where the wood is left uncarved and features cracks. The signature “Elizabeth Prophet” is thinly carved into the neck.
  • Three quarter front view of a dull carved wood sculpture depicting a serene face wearing a cloth around its head and neck. The bust features smooth contours and a polished finish.
  • Three quarter front view of a vibrant, carved wood sculpture depicting a serene face wearing a draped cloth around its head. It is smooth, besides a vertical crack alongside its nose.
  • Three quarter back view of a carved wood sculpture depicting the back of a head and neck. Part of a cheekbone and brownbone are visible towards the front. The signature “Elizabeth Prophet” is thinly carved into the neck.
  • Profile view of a vibrant, carved wood sculpture depicting a face wearing a draped cloth around its head and neck. The bust features smooth contours and a polished finish.
  • Three quarter front view of a vibrant, carved wood sculpture depicting a serene face, with closed eyes, wearing a draped cloth around its head. The bust is smooth and polished.

Nancy Elizabeth Prophet

Discontent

Maker

Nancy Elizabeth Prophet (American, 1890-1960), (RISD 1918)

Title

Discontent

Year

1929

Medium

  • Magnolia wood with stain

Materials/Techniques

Techniques

  • Magnolia wood with stain

Materials

wood

Dimensions

35.6 x 19.7 x 25.4 cm (14 x 7 3/4 x 10 inches)

Signature / Inscription / Marks

Signed: Elizabeth Prophet

Credit / Object Number

Credit

Gift of Miss Eleanor Green and Miss Ellen D. Sharpe

Object Number

30.019

Type

  • Sculpture

Publications

  • Books

Nancy Elizabeth Prophet: I Will Not Bend an Inch

Exhibition History

Nancy Elizabeth Prophet
I Will Not Bend An Inch
Feb 17, 2024 – Aug 04, 2024

Label copy

This sculpture’s determined expression, fabric wrapped tightly around the head and neck, may be the very representation of discontent, or dissatisfaction with one’s own circumstances. Prophet stated that this piece was “the result of a long emotional experience of restlessness, of gnawing hunger for the way of attainment.” This yearning still plagues Black and Indigenous women in a world that systematically oppresses and erases them, making it difficult for them to reach success on their own terms. 

–Kajette Solomon, social equity and inclusion specialist

One Voice, Many Visions
Work By African American Artists
Feb 20, 1998 – Jun 14, 1998
African-American Art from the Permanent Collection
Nov 18, 1994 – Feb 19, 1995

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

In copyright This object is in copyright

Tombstone

Nancy Elizabeth Prophet (American, 1890-1960)
Discontent, 1929
Magnolia wood with stain
35.6 x 19.7 x 25.4 cm (14 x 7 3/4 x 10 inches)
Gift of Miss Eleanor Green and Miss Ellen D. Sharpe 30.019

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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