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  • A pale green, smooth jade carving resembling mountain peaks dotted with clustered tree and a small waterfall in the center.
  • A small, delicate sailboat gliding across water beneath rocky cliffs and detailed trees carved in jade.
  • Delicate calligraphic inscriptions in dark ink, etched into a smooth, translucent green stone, with subtly carved folds along the left edge.
  • Pale green jade carving with a smooth, elongated form and shallow carved lines.
  • Smooth jade mountain in a cloud-like shape, carved with vertical lines of calligraphic inscriptions.
  • A small, delicate house beneath a leafy tree, set against a mountain landscape carved in jade.
  • Delicate calligraphic inscriptions in dark ink carved into a smooth, translucent jade surface.
  • Smooth jade mountain in a cloud-like shape, carved with vertical lines of calligraphic inscriptions.
  • Pale green, smooth jade carving resembling mountain peaks dotted with clustered tree and a small waterfall in the center.

Unknown Maker, Chinese

Landscape
Now On View

Maker

Unknown Maker, Chinese

Culture

Chinese

Title

Landscape

Period

Qing

Year

1736–1795

Medium

  • jade

Materials/Techniques

Techniques

  • jade

Materials

jade

Geography

Origin: China

Dimensions

19.7 x 40.6 x 9 cm (7 3/4 x 16 x 3 9/16 inches)

Signature / Inscription / Marks

On reverse:eleven lines of standard script (kaishu) in style of the Qianlong Emperor's calligraphy, incised and filled with ink, transcribing a poem by Su Shi (1036-1101) written in 1088 on Wang Shen's (1036-after 1099) Yanjiang diechang to ("Painting of Misty River and Tiered Mountains") in the collection of Wang Dingguo (fl. late 11th century)

Credit / Object Number

Credit

Bequest of John M. Crawford, Jr.

Object Number

1989.110.43

Type

  • Sculpture

Publications

  • Journal

Manual / Issue 15: Green

RISD Museum’s Manual 15 Celebrates Green

New life is always shown to us through mokingpu, the color green-the light green stems of rabbitbrush, one of the few colors seen the winter; the tender green shoots of new corn that emerge in the spring against the backdrop of the dry brown earth. Green offers hope. Green represents life.

-Susan Sekaquaptewa

A welcome splash of color after a long winter, the RISD Museum’s fifteenth issue of Manual is awash in shades of green, celebrating the color's myriad associations with nature and growth, environmentalism and sustainable practices, newness and hope (as well as poison and currency) and delving into the histories of specific pigments and processes. Manual 15 opens with an introductory essay by Hopi grower Susan Sekaquaptewa, who details the soft hues of the flora of Northern Arizona. “You appreciate plants more when you develop a relationship with them,” she explains.

This issue of Manual is supported in part by a grant from the Rhode Island State Council on the Arts, through an appropriation by the Rhode Island General Assembly and a grant from the National Endowment for the Arts. Additional generous support is provided by the RISD Museum Associates and Sotheby’s.

  • Books

The Crawford Bequest: Chinese Objects in the Collection of the Museum of Art, Rhode Island School of Design, An Exhibition by the Department of History of Art and Architecture, Brown University, February 6 through March 14, 1993.

Exhibition History

Mountain and Water 山水
Selections from Japan and China
May 10, 2025 – Dec 14, 2025

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Unknown Maker, Chinese
Landscape, 1736–1795
Jade
19.7 x 40.6 x 9 cm (7 3/4 x 16 x 3 9/16 inches)
Bequest of John M. Crawford, Jr. 1989.110.43

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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