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Nicolaes de Bruyn

Landscape with an Elegant Couple and a Stag Hunt
Now On View

Maker

Nicolaes de Bruyn (Flemish, 1571-1656)
After Jan Brueghel the Elder (Flemish, 1568-1625)

Title

Landscape with an Elegant Couple and a Stag Hunt

Year

1607

Medium

  • Engraving on paper

Materials/Techniques

Techniques

  • Engraving on paper

Materials

engraving

Supports

  • Medium weight cream laid paper

Dimensions

Plate/Image: 44.6 x 69.4 cm (17 9/16 x 27 5/16 inches)

Signature / Inscription / Marks

In Plate--Inscribed in LL:Jan Bruegel Iven. Nicola de Brüyn Sculp. 1607

Identification

State

3rd of 3

Credit / Object Number

Credit

Gift of Dr. Charles Bradley

Object Number

48.075

Type

  • Prints

Publications

  • Books

The Brilliant Line: Following the Early Modern Engraver, 1480-1650

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the physical process of engraving informed its visual language; the context for the spread of particular engraving styles throughout Europe; and the interests, knowledge, and skills that Renaissance viewers applied when viewing and comparing engravings by style or school.

Exhibition History

European Galleries
Sep 02, 2017

Label copy

The large format of this engraving suggests that it was intended to be framed and hung on a wall, offering a decorative alternative for people who could not afford to buy an original oil painting for their homes. The engraver, Nicolaes de Bruyn, was widely known for his reproductions of other artists’ works. This engraving reproduces a painting by the Flemish artist Jan Brueghel, a contemporary of de Bruyn’s whose work was highly sought after by collectors and patrons. In the 1600s, like today, printed reproductions allowed more people to enjoy a popular artist’s work—even if the original was part of a private collection.

The Brilliant Line
Following the Early Modern Engraver, 1480-1650
Sep 18, 2009 – Jan 03, 2010

Label copy

As engraving became more international in its scope and technique, engravers began to pick and choose styles that met the demands of their own particular market. The Antwerp artist Nicolaas de Bruyn made the conscious decision to engrave in the style of the much earlier engraver Lucas van Leyden. This delicate, atmospheric approach made up of mostly straight lines was appropriate for De Bruyn’s large-scale landscape scenes, while tapping into a specialized market of Lucas’s admirers. The scale of De Bruyn’s engravings was something new, however. Such large formats may have been intended to be painted and hung on walls as substitutes for paintings.

The Landscape Tradition in Printmaking
Jan 19, 1990 – Apr 22, 1990

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Nicolaes de Bruyn (Flemish, 1571-1656)
After Jan Brueghel the Elder (Flemish, 1568-1625)
Landscape with an Elegant Couple and a Stag Hunt, 1607
Engraving on paper
Plate/Image: 44.6 x 69.4 cm (17 9/16 x 27 5/16 inches)
Gift of Dr. Charles Bradley 48.075

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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