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Abstract composition of black and white lines made up of drips and splatters crossing each other in chaotic webs on a textured backdrop of layered red, blue and yellow.
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  • A multicolored drip painting with chaotic overlapping lines and splatters of black, gray, yellow, red, and white.
  • A multicolored drip painting with chaotic overlapping lines and splatters of black, gray, yellow, red, and white.
  • Three labels describing an artwork. A red and white bordered label reading: “Removed from strainer of: Pollock, J., Magic Lantern, RISD, Museum of Art, CONS-81-24”, above an older label reading: “Betty Parsons Gallery 15 East 57th ST., N. Y. C., Title Magic Lantern”, besides which is a small label with red numbers: “54.005”.
  • A multicolored drip painting with chaotic overlapping lines and splatters of black, gray, yellow, red, and white.
  • A multicolored drip painting with chaotic overlapping lines and splatters of black, gray, yellow, red, and white.
  • Abstract composition of black and white lines made up of drips and splatters crossing each other in chaotic webs on a textured backdrop of layered red, blue and yellow.

Jackson Pollock

Magic Lantern
Now On View

Maker

Jackson Pollock (American, 1912-1956)

Title

Magic Lantern

Year

1947

Medium

  • oil,
  • enamel,
  • and carpet tacks on canvas

Materials/Techniques

Techniques

  • Oil,
  • enamel,
  • and carpet tacks on canvas

Materials

aluminum paint, enamel, oil paint

Supports

  • canvas

Dimensions

108.9 x 55.2 cm (42 7/8 x 21 3/4 inches)

Signature / Inscription / Marks

Signature: Signed lower center and on reverse:Pollock 47

Credit / Object Number

Credit

Gift of Mrs. Peggy Guggenheim

Object Number

54.005

Type

  • Paintings

Exhibition History

The New York School
Aaron Siskind in Context
Nov 07, 2003 – Jan 25, 2004

Label copy

The fact that good European moderns are now here is very important, for they bring with them an understanding of the problems of modern painting. I am particularly impressed with their concept of the source of art being the unconscious. This idea interests me more than these specific painters do, for the two artists I admire most, Picasso and Miró, are still abroad.

(Pollock, in Arts and Architecture [February 1944], p. 14)

Sign Language
Twentieth-Century Painting from the Permanent Collection
Jun 23, 2000 – Oct 29, 2000
The Moderns
Twentieth-Century Art from the Permanent Collection
Aug 06, 1993 – Mar 13, 1994

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

In copyright This object is in copyright

Tombstone

Jackson Pollock (American, 1912-1956)
Magic Lantern, 1947
Oil, enamel, and carpet tacks on canvas
108.9 x 55.2 cm (42 7/8 x 21 3/4 inches)
Gift of Mrs. Peggy Guggenheim 54.005

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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