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Max Liebermann

The Midday Meal

Maker

Max Liebermann (German, 1847-1935)

Title

The Midday Meal
(appeared in Gazette des Beaux-Arts)

Year

1888

Medium

  • Etching on paper

Materials/Techniques

Techniques

  • Etching on paper

Materials

etching

Supports

  • Medium weight beige Oriental laid paper

Dimensions

Plate: 12.1 x 14.9 cm (4 3/4 x 5 7/8 inches)

Credit / Object Number

Credit

Gift of Mrs. Gustav Radeke

Object Number

24.426

Type

  • Prints

Exhibition History

A Process of Protest
Prints and Drawings of Käthe Kollwitz
Jul 28, 2006 – Nov 26, 2006

Label copy

Max Liebermann was a painter and printmaker whose work, heavily inspired by French Impressionism, was alternately celebrated and maligned by his countrymen. In 1899, he became the leader of the Berlin Secession, an artist’s group of which Kollwitz was a member. Kollwitz fit well with the Secessionists because of the prevailing mode of socially oriented imagery promoted by Liebermann and contemporaries like Adolph von Menzel. This etching, with its subject of working-class men conversing at a table, has many similarities to the style and subject matter of Kollwitz’s Consultation in this case.

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Max Liebermann (German, 1847-1935)
The Midday Meal; (appeared in Gazette des Beaux-Arts), 1888
Etching on paper
Plate: 12.1 x 14.9 cm (4 3/4 x 5 7/8 inches)
Gift of Mrs. Gustav Radeke 24.426

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