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Édouard Manet

Mlle. Victorine in the Costume of an Espada (Victorine Meurent)

Description

Maker

Édouard Manet (French, 1832-1883)

Title

Mlle. Victorine in the Costume of an Espada (Victorine Meurent)

Year

1862

Medium

  • graphite,
  • pen and ink,
  • watercolor on tracing paper; incised for transfer

Materials/Techniques

Techniques

  • graphite,
  • pen and ink,
  • watercolor on tracing paper; incised for transfer

Materials

graphite, pen and ink, watercolor

Supports

  • Tracing paper

Dimensions

30.5 x 22.9 cm (12 x 9 inches)

Signature / Inscription / Marks

Signed in LR:Manet

Credit / Object Number

Credit

Gift of Mrs. Gustav Radeke

Object Number

21.483

Type

  • Drawings and Watercolors

Projects & Publications

Publications

  • Books

A Handbook of the Museum of Art, Rhode Island School of Design

  • Books

Selection V: French Watercolors and Drawings, ca. 1800-1910

French watercolors and drawings from the Museum's collection, ca. 1800-1910

Exhibition History

Exhibition History

Altered States
Etching in Late 19th-Century Paris
Jun 30, 2017 – Dec 03, 2017

Label copy

Although many printmakers worked directly on copper plates, Manet used this drawing to help translate an oil painting he made that same year into an etching. All three works depict the artist’s favorite model in the costume of a Spanish bullfighter. Rendered on transparent paper, the drawing may have been directly traced from a photograph of the painting. On the woman’s face, incised marks from the tool that was used to transfer the image are still faintly visible. Manet’s signature at bottom left indicates that he considered this tracing an independent work of art.

From Dürer to Van Gogh
Gifts from Eliza Greene Radeke and Helen Metcalf Danforth
Jun 05, 2008 – Oct 26, 2008

Label copy

This watercolor is an intermediary work in preparation for an etching Manet made after his own painting, Mlle V... in the Costume of an Espada, now at the Metropolitan Museum of Art, New York. Lines incised into the sheet indicate how he transferred the image to the etching plate. In a letter dated 1916 from New York, Mrs. Eliza Radeke’s art agent Martin Birnbaum pressed her to act as quickly as possible to purchase the drawing.

Dear Mrs. Radeke, Will you be in town this week? A remarkable Manet watercolor (Toreador in the Bullring) signed has been offered for sale ($650.00) at very low price for such an interesting rarity. It is really a fine complete example and more attractive than most of his subjects. I think it is probably the original study for the Havemeyer picture. Would you dare buy such a thing on my advice? I must give the owner an answer immediately, and everybody is out of town,- if I had more time I would send it on approval, and if I am given more time I will gladly do so.

Mrs. Radeke rarely purchased artworks without first seeing them, and only under duress would her scrupulous agent dare to press her to a decision for fear of losing a great object.

French Drawings in the Time of Degas
Aug 19, 2005 – Jan 22, 2006

Label copy

Manet and Degas purportedly met in the Louvre Museum, Paris, while both were copying the same painting by Diego Velázquez. Although Manet and Degas shared an interest in studying the Old Masters and in the portrayal of contemporary life, Manet was the artist with whom Degas developed the most overtly competitive relationship. In a conversation with the English painter Walter Sickert (one of the figures in Degas’s group portrait Six Friends at Dieppe), Degas lamented, “Everything [Manet] does he always hits off straight away, while I take endless pains and never get it right” (Walter Sickert, “Degas,” Burlington Magazine, vol. 31, no.176 [November 1917], pp. 97-98). Degas owned 8 paintings, 14 drawings, and 69 prints by Manet, while Manet’s inventory at his death did not include a single work by Degas.

This watercolor is an intermediary work in preparation for an etching Manet made after his own painting Mlle. V. in the Costume of an Espada. Lines incised into the sheet indicate how he transferred its image to the etching plate.

Master Drawing from the Museum and a Private Collection
Jun 19, 1946 – Oct 27, 1946

Use & Feedback

Image use

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This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Édouard Manet (French, 1832-1883)
Mlle. Victorine in the Costume of an Espada (Victorine Meurent), 1862
Graphite, pen and ink, watercolor on tracing paper; incised for transfer
30.5 x 22.9 cm (12 x 9 inches)
Gift of Mrs. Gustav Radeke 21.483

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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