Ludwig Mies van der Rohe

This chair’s deceptively simple design embodies the “less is more” philosophy of Mies van der Rohe. The ultra-modern chrome finish sharply contrasts with the natural woven-cane seat and back, creating a streamlined appearance that exemplifies industrial technology and the spirit of modernity in the early 20th century.

Favored for its strength, lightness, and economic practicality, tubular-steel furniture became widely popular in the 1920s. The material’s attributes made it well suited for this cantilevered design, which functions without the support of back legs. Innovations in chrome plating also proved revolutionary, producing a corrosion-resistant, silver-like surface for a fraction of the cost.