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Unknown Maker, Japanese

Nō theater costume (surihaku)

Maker

Unknown Maker, Japanese

Culture

Japanese

Title

Nō theater costume (surihaku)

Period

Edo Period

Year

Edo period, 1750-1825

Medium

  • Silk compound weave with applied India ink and silver leaf

Materials/Techniques

Techniques

  • Silk compound weave with applied India ink and silver leaf

Materials

India ink, silver leaf, silk

Dimensions

Center back length: 143.5 cm (56 1/2 inches)

Credit / Object Number

Credit

Gift of Miss Lucy T. Aldrich

Object Number

35.462

Type

  • Costume

Publications

  • Books

Lucy T. Aldrich Collection of Japanese Noh Drama Costumes and Priest Robes

  • Books

Patterns and Poetry: Nō Robes from the Lucy Truman Aldrich Collection

No robes from the Lucy Truman Aldrich Collection at the Museum of Art, Rhode Island School of Design. A beautiful and informative publication on the RISD Museum's collection of costumes for the Japanese No theater. This collection, arguably the finest in the United States, was assembled largely on the spot in Japan during the 1920's by Rhode Islander Lucy Truman Aldrich, sister-in-law of John D. Rockefeller, Jr. The 47 robes came to the Museum by gift and bequest from Miss Aldrich herself and represent all categories of No costume. Four essays document the history of the collection, including Miss Aldrich's encounter with Chinese bandits; poetic allusion in the imagery of the robes; the traditional methods of making No robes; and the evolution of No costume over 650 years. Individual entries with color illustrations discuss each of the 47 objects.

Susan Anderson Hay, Curator of Costumes and Textiles, RISD Museum of Art Monica Bethe, Independent Scholar, Japan Helen M. Nagata, former Curator of Asian Art, RISD Museum of Art Iwao Nagasaki, Curator and Scholar at the National Museum, Tokyo, Japan

Exhibition History

Designing Traditions Biennial IV
Student Explorations in the Asian Textile Collection
Jul 17, 2015 – Jan 03, 2016

Label copy

The bold blue and yellow stripes of this robe are stenciled with a delicate silver-leaf pattern of running water, with barely visible floating chrysanthemums lightly printed in India ink. The robe was created as a costume for a character in a No play, a theatrical genre developed in 14th-century Japan which uses drama, dance, and music to present stories from Japanese legend and literature. This style of robe, known as surihaku, is reserved for women’s roles, and would have been worn as the innermost layer of a character’s ensemble-glimpsed only in slivers and with the movement of the actor.

A Tribute to Miss Lucy
Noh Robes from the Collection
Feb 22, 2002 – Jun 09, 2002

Label copy

This elegant robe would have been worn under a karaori or nuihaku for female roles. The pattern of running water is sometimes known as kanze mizu and is said

to have been created by the Kanze troupe of No actors with origins in the 14th century. Its members included the famous actors Kan'ami Kiyotsugu (1333-1384) and his son Zeami Motokiyo (1363-1443), who were instrumental in creating the No drama in its present form. The running-water pattern has come to symbolize the troupe, which still exists.

This robe came with a paper wrapper indicating that it had been in the possession of the No troupe associated with the court of the Ikeda family in Bishu, Okayama Prefecture, in western Japan.

Patterns and Poetry
Noh Robes from the Lucy Truman Aldrich Collection
Oct 21, 1994 – Jan 22, 1995

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Unknown Maker, Japanese
Nō theater costume (surihaku), Edo period, 1750-1825
Silk compound weave with applied India ink and silver leaf
Center back length: 143.5 cm (56 1/2 inches)
Gift of Miss Lucy T. Aldrich 35.462

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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