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Image

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  • Back view of the bust. The painted brown patterns overlap with the two holes in the torso. The white paint on her back travels up to the spine to the middle of their neck.
  • Another profile view of the bust from the other side.
  • Side view of the bust’s back. Much of the back has been painted white.
  • Another side view of the front of the bust on the other side, so that her body is at a diagonal.
  • Profile view of the bust, showing that their torso is quite narrow in depth.
  • Side view of the same bust. Their neck is painted white and a white silhouette forming two breasts is painted on the bottom of their torso. The figure looks straight ahead.
  • Another side view of the back on the other side, so that the body is at a diagonal..

Rose B. Simpson

Reincarnation
Now On View

Description

Maker

Rose B. Simpson (Kha’p’o Owingeh (Santa Clara Pueblo), b. 1983), (RISD MFA 2011, Ceramics)

Culture

Kha'p'o Owingeh (Santa Clara Pueblo)

Title

Reincarnation

Year

2021

Medium

  • ceramic,
  • glaze,
  • grout,
  • lava beads,
  • Coral beads,
  • sea urchin,
  • turquoise beads,
  • glass beads,
  • and epoxy

Materials/Techniques

Techniques

  • ceramic,
  • glaze,
  • grout,
  • lava beads,
  • Coral beads,
  • sea urchin,
  • turquoise beads,
  • glass beads,
  • and epoxy

Dimensions

83.8 x 76.2 x 33 cm (33 x 30 x 13 inches)

Credit / Object Number

Credit

Helen M. Danforth Acquisition Fund

Object Number

2021.40.1

Type

  • Sculpture

Exhibition History

Exhibition History

Art and Design from 1900 to Now
Jun 04, 2022 – Sep 01, 2026

Label copy

Interpretation

This ungendered figure is adorned with striped markings on the face and chest and embellishments at the neck and ears. Two circular openings in the base suggest the space between the arms and torso or voids where breasts or lungs would be. Simpson describes Reincarnation’s “confident and naturally beautiful” subject as “demonstrating a knowing that is based on experience behind and beyond this lifetime” underscores the allusion to rebirth and regeneration in the title.


Acquisition details

This work was acquired through the Helen M. Danforth Acquisition Fund. According to a memorial text published by RISD after her passing in 1984, Danforth established the fund “to provide a perpetual source of funding” for RISD Museum acquisitions. This fund supports the purchase of works that the museum’s curators or director identify as priorities for the collection. The acquisition of Simpson’s work recognizes her contributions to contemporary sculpture, her inventive engagement of the ceramic medium, and as her status as a RISD alumna.

-Dominic Molon, Richard Brown Baker Curator of Contemporary Art

Use & Feedback

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

This object is in copyright

Tombstone

Rose B. Simpson (Kha’p’o Owingeh (Santa Clara Pueblo), b. 1983)
Reincarnation, 2021
Ceramic, glaze, grout, lava beads, coral beads, sea urchin, turquoise beads, glass beads, and epoxy
83.8 x 76.2 x 33 cm (33 x 30 x 13 inches)
Helen M. Danforth Acquisition Fund 2021.40.1

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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