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Image

RISDM 42-223.tif
RISDM 42-223.tif
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  • RISDM 42-223.tif
  • RISDM 42-223.tif

John Singer Sargent

Rio di Santa Maria Formosa, Venice

Description

Maker

John Singer Sargent (American, 1856-1925)

Title

Rio di Santa Maria Formosa, Venice

Year

1905

Medium

  • Watercolor over graphite and pen and ink on wove paper

Materials/Techniques

Techniques

  • Watercolor over graphite and pen and ink on wove paper

Materials

graphite, watercolor

Supports

  • wove paper

Dimensions

35.1 x 49.2 cm (13 13/16 x 19 3/8 inches) (sheet)

Signature / Inscription / Marks

Signed:John S. Sargent

Credit / Object Number

Credit

Gift of Mrs. Murray S. Danforth

Object Number

42.223

Type

  • Drawings and Watercolors

Projects & Publications

Publications

Pub_ID 1805 Selected Works v_01.jpg
  • Books

Selected Works

Read Online ›

Exhibition History

Exhibition History

Pilgrims of Beauty
Art and Inspiration in 19th-Century Italy
Feb 03, 2012 – Jul 08, 2012

Label copy

For John Singer Sargent, regular trips to Venice were valuable vacations from the often wearisome business of portrait commissions. His Italian watercolors were personal works, created for pleasure or as gifts for friends, not for the art market. He frequently painted outdoors, exploring the city’s less-visited areas and painting unusual architectural elements or striking patterns of colorful stones and canal surfaces. Here Sargent presents the prow of his gondola in the foreground, with gondolier’s pole dividing the space and emphasizing his unusual vantage point. The combination of bold colors and large areas of exposed paper in this view of a bridge over the Maria Santa Formosa canal suggests that he painted this image under the strong midday sun, his favorite hour to work in Venice.

From Dürer to Van Gogh
Gifts from Eliza Greene Radeke and Helen Metcalf Danforth
Jun 05, 2008 – Oct 26, 2008

Label copy

Sargent’s many views of Venice are among his most experimental works. Beginning in the 1880s, he frequently vacationed in Venice, where he created watercolors for his own pleasure as a diversion from the commissioned oil portraits for which he was famous. He often sketched from a gondola, and here, with the low vantage point and the prominence of the boat’s stern, the viewer feels as if he were sitting with the artist. The dissolving washes of transparent color against the white paper brilliantly capture the play of light and shadow on the watery reflections and solid surfaces.

Tradition and Innovation in American Watercolors
Jan 27, 1999 – Apr 11, 1999

Label copy

Although many of Sargent's Venetian watercolors are undated, this work probably was created during his visits between 1902 and 1913, when he was particularly engaged by the architecture, atmosphere, and reflected light of Venice.

Use & Feedback

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

John Singer Sargent (American, 1856-1925)
Rio di Santa Maria Formosa, Venice, 1905
Watercolor over graphite and pen and ink on wove paper
35.1 x 49.2 cm (13 13/16 x 19 3/8 inches) (sheet)
Gift of Mrs. Murray S. Danforth 42.223

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Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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