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  • Oil painting which depicts a central abstracted figure emerging from interlocking angular lines which make up geometric planes in shades of brown to the right and blues to the left.
  • Fragments of aged historical labels on the back of an artwork. The only legible text of one strip reads: “Seated Woman with a Book, Bo¨ght”, below which is a red and white museum label which reads: “Museum of Art, 51.094, Rhode Island School of Design, Pablo Picasso, Woman Reading a Book, Oil on canvas, Museum Works of Art”
  • Closeup showing the metal clasps of a brown wooden frame which secures the structure. Faint, curving handwriting runs across the surface of the wood.
  • Back of a wooden frame, below a white board framed by a smaller black frame and covered in historical labels, including a prominent red one which reads in bold lettering: “DO NOT TOUCH OR REPAIR”
  • Wooden stretched canvas frame on a white backdrop with a center support and triangular corner supports showing from behind. The frame's wooden surface shows both age and peeling tape.
  • Fragmented historical labels on the back of an artwork. At the top is a newer red and white label which reads: “Removed from the stretcher of Picasso ‘Femme Assise au Livre’ RISD , Cons. #81-108”. Below is a damaged label whose legible text reads: “CARROLL CARSTAIRS GALLERY, 11 East 57th Street, New York 22. N. Y,
Title: Femme assise au Livre“.
  • Reverse side of an artwork held inside a wooden frame via metal clasps. The paintings inside shows the neatly stapled white canvas edges alongside the spring mechanisms which maintain tension.
  • Closeup of the corner of a brown wooden frame, showing the wood grain and small nail hole, alongside small red lettering near the top reading “C94”.
  • Close up of the back of a wooden frame, showing a metal fastener and small holes in the surface alongside a faint inscription denoting the frames width with two arrows.
  • A wooden stretcher frame  on a white backdrop with a center support and triangular corner wedges. The smooth, clean wood suggests it is well-preserved or recently constructed.
  • Closeup of the center support of a wooden frame whose aged surface features faded red markings.  Above and below, two rounded triangular wedges also visible.
  • Detailed view of a wooden frame’s joint on a white backdrop, with peeling paper, worn edges, and faint red markings. A wooden wedge is visible beneath the stretcher bar.
  • Oil painting which depicts a central abstracted figure emerging from interlocking angular lines which make up geometric planes in shades of brown to the right and blues to the left.

Pablo Picasso

Seated Woman with a Book (Femme assise au livre)
Now On View

Maker

Pablo Picasso (Spanish, 1881–1973, b. in Malaga, Spain)

Title

Seated Woman with a Book (Femme assise au livre)

Year

ca. 1910

Medium

  • Oil on canvas

Materials/Techniques

Techniques

  • Oil on canvas

Materials

oil paint

Supports

  • canvas

Geography

Place Made: France

Dimensions

41.3 x 24.1 cm (16 1/4 x 9 1/2 inches)

Signature / Inscription / Marks

Signature: Signed on reverse UR in black:Picasso

Credit / Object Number

Credit

Museum Works of Art Fund

Object Number

51.094

Type

  • Paintings

Publications

  • Books

A Handbook of the Museum of Art, Rhode Island School of Design

  • Books

European Paintings and Sculpture, ca. 1770 - 1937

  • Books

Exchange Exhibition, Exhibition Exchange: From the Collection of Rose Art Museum, Brandeis University; From the Collection of The Museum of Art, Rhode Island School of Design, Providence.

  • Books

Selected Works

Exhibition History

European Galleries
Sep 02, 2017

Label copy

In Picasso’s early Cubist paintings, subjects were often fragmented and presented from multiple points of view. Here he transforms a female figure into a rhythmic scaffold in which tonal modeling shifts through armatures of angled lines. Clues to her pose and physical identity appear in the ambiguous hieroglyphics that suggest her breasts and the references to her crossed legs, the book in her lap, and the chair on which she is perched. The subtle shift of palette from gray-brown to a soft blue suggests that the model is seated before an open window looking out on the sea.

Re-Viewing the Twentieth Century
Jul 21, 2006 – Apr 22, 2007
Celebrating the Jewish Contribution to Twentieth-Century American Art
Nov 12, 2004 – Mar 05, 2005
"The Center Cannot Hold"
Art from 1900-1920
Mar 01, 1999 – Jul 01, 1999
Cubism and Its Affinities
Sep 01, 1995 – Dec 10, 1995
  • More Exhibition History +

Image use

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In copyright This object is in copyright

Tombstone

Pablo Picasso (Spanish, 1881–1973, b. in Malaga, Spain)
Seated Woman with a Book (Femme assise au livre), ca. 1910
Oil on canvas
41.3 x 24.1 cm (16 1/4 x 9 1/2 inches)
Museum Works of Art Fund 51.094

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Feedback

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