Shahzia Sikander

This double female representation exemplifies Sikander’s use of redrawing, reorienting, embellishing, and recontextualizing to arrive at new interpretations. Rendered here as a deity and its avatar, both with looping, “self-nourishing roots,” this image would become iconic in Sikander’s lexicon. The figures are presented in conversation with each other: one vertical, active, buoyant, and light; the other horizontal, passive, grounded, and dark. The liquidity of the ink on the slick paper created an unusual mottled pattern that resembles skin.

Self-Rooted is one of Sikander’s earliest works to employ layered tracing paper-note the vertical lines showing through from the sheet below. This strategy would soon become central to her practice.