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Japanese print of two sitting figures, facing each other, holding fans and wearing colorful patterned robes against a blue ombre background. The left figure sits on a tan bamboo trunk.
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  • Japanese print of two sitting figures, facing each other, holding fans and wearing colorful patterned robes against a blue ombre background. The left figure sits on a tan bamboo trunk.
  • Japanese print of two sitting figures, facing each other, holding fans and wearing colorful patterned robes against a blue ombre background. The left figure sits on a tan bamboo trunk.

Utagawa Kunisada 歌川 国貞 (Toyokuni III)

Visiting Komachi (かよひ小町 Kayoi Komachi)

Maker

Utagawa Kunisada 歌川 国貞 (Toyokuni III) (1786-1865, b. in Edo, Japan)
or Daikokuya (Japanese), publisher

Title

Visiting Komachi (かよひ小町 Kayoi Komachi)
from the series Parody of the Seven Komachi (見立七小町 Mitate Nana Komachi)

Period

Edo Period

Year

1847-1852

Medium

  • Polychrome woodblock print (nishiki-e)

Materials/Techniques

Techniques

  • Polychrome woodblock print (nishiki-e)

Materials

ink, color

Supports

  • paper

Geography

Place Made: Japan

Dimensions

Horizontal ōban: 22.9 x 29.2 cm (9 x 11 1/2 inches)

Signature / Inscription / Marks

Signature: in toshidama cartouche | Toyokuni ga

Seals: Censor's seal | Hama Yahei | Kinugasa Fusajiro

Credit / Object Number

Credit

Helen M. Danforth Acquisition Fund

Object Number

2003.39.1

Type

  • Prints

Exhibition History

Defying Boundaries
Women in Japanese Art
Apr 27, 2024 – Nov 04, 2024

Label copy

In each of these prints, the ninth-century poet Ono no Komachi is transformed into a young woman from the 1800s. Komachi was one of the Six Poetry Immortals (六歌仙Rokkasen) of Japanese waka poetry. Little is known of her life, but tales of her legendary beauty and wit are abundant. Today, the name Komachi has come to be synonymous with feminine beauty. In the late 1300s to early 1400s, Komachi was memorialized in several popular Nō plays known as the Seven Komachi (七小町 nana komachi). During the Edo period (1615–1868), images from the Seven Komachi were frequently parodied in prints. 

Image use

The images on this website can enable discovery and collaboration and support new scholarship, and we encourage their use.

Public Domain This object is in the Public Domain and available under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

Tombstone

Utagawa Kunisada 歌川 国貞 (Toyokuni III) (1786-1865, b. in Edo, Japan)
or Daikokuya (Japanese), publisher
Visiting Komachi (かよひ小町 Kayoi Komachi); from the series Parody of the Seven Komachi (見立七小町 Mitate Nana Komachi), 1847-1852
Polychrome woodblock print (nishiki-e)
Horizontal ōban: 22.9 x 29.2 cm (9 x 11 1/2 inches)
Helen M. Danforth Acquisition Fund 2003.39.1

To request new photography, please send an email to imagerequest@risd.edu and include your name and the object's accession number.

Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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