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  • Buttoned red and green plaid long-sleeved shirt with two front pockets and a collar, laid flat.
  • Close-up of a tan rectangular label with orange embroidered text that reads “warranted to be a ‘Pendleton.’ Pendleton Woolen Mills. Portland, Oregon 100% Virgin Wool, ” on a red and green plaid long-sleeved shirt.

Pendleton Woolen Mills

Woman's Shirt

Maker

Pendleton Woolen Mills, manufacturer

Title

Woman's Shirt

Year

ca. 1950

Medium

  • wool,
  • plain weave

Materials/Techniques

Techniques

  • wool,
  • plain weave

Materials

wool

Dimensions

73 cm (28 3/4 inches) (center back length)

Credit / Object Number

Credit

Gift of the Estate of Peggy Cone

Object Number

2011.21.1

Type

  • Costume

Exhibition History

Diné Textiles
Nizhónígo Hadadít’eh, They are Beautifully Dressed
Sep 02, 2023 – Sep 29, 2024

Label copy

Beginning in the late 1800s, colonization policies forced Native Americans to rely on white traders for goods, including blankets. Established in 1909 by a white settler family, Pendleton Woolen Mills originally produced machine-woven blankets with Native designs for sale to the Native American market. Pendleton’s non-Native designer, Joe Rawnsley, visited tribes to copy their designs. Many of Pendleton’s blankets still use Diné designs, without accreditation or compensation.

While they continued to make Native American trade blankets, Pendleton also began producing apparel for broader American markets. A glance at this simple plaid shirt doesn’t reveal its manufacturer’s history of Native American design exploitation. Many textile and fashion brands have histories of stealing designs from Native American communities.

 



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In copyright This object is in copyright

Tombstone

Pendleton Woolen Mills, manufacturer
Woman's Shirt, ca. 1950
Wool; plain weave
73 cm (28 3/4 inches) (center back length)
Gift of the Estate of Peggy Cone 2011.21.1

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Feedback

We view our online collection as a living documents, and our records are frequently revised and enhanced. If you have additional information or have spotted an error, please send feedback to curatorial@risd.edu.

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