Skip to main content
Home

Main navigation

  • Visit
  • Exhibitions & Events
  • Art & Design
  • Give
  • Search

Visit Main Menu Block

  • Hours & Admission
  • Accessibility & Amenities
  • Tours & Group Visits
  • Visitor Guidelines

Exhibitions and Events Main Menu Block

  • Exhibitions
  • Events

Art and Design Main Menu Block

  • Collection
  • Collection Research
  • Past Exhibitions
  • Watch / Listen / Read

Footer Main

  • Become a Member
  • Who We Are
  • Opportunities
  • Rent the Museum
Adolph von Menzel, Head Studies. Gift of Mrs. Gustav Radeke

Changing Poses

The Artist's Model
November 12, 2010 - June 6, 2011
Adolph von Menzel, Head Studies. Gift of Mrs. Gustav Radeke

Introduction

Studying with live models has been a core element of art and design education at RISD since the school's earliest decades.

—Crawford Alexander Mann III, Andrew W. Mellon Curatorial Fellow

Since ancient times, the model has been an essential aid for artists depicting the human figure. An artist's model could be female or male, amateur or professional, anonymous or intimately known, and of any age, body type, ethnicity, or class. These two galleries offer a chronological look at the model, from figure drawings made four centuries ago in Europe's oldest art academies to elaborately staged photographs produced within the last decade. Each work tells a unique story, inviting you to ask who these models are, why they were chosen, and what kind of exchange developed between artist and model during the creation of each image.

Drawn primarily from the Museum's permanent collection, Changing Poses: The Artist's Model reveals the variety of ways in which models have been assistants and muses for generations of artists. Exploring this history, you may recognize such period-specific themes and trends as the focus on the male nude within early art schools, the interest in costume in the 19th century as a signifier of cultural or class identity, the prevalence of the eroticized female body in modern art, and the recent dialogue between high art and fashion advertising. In addition, the model often participates in larger ongoing aesthetic and philosophical debates, most notably that between the real and the ideal. Does the artist see the model as a link to something tangible, natural, and true? Or is the model instead a starting point for stylistic experimentation or pursuit of a higher beauty?

This exhibition demonstrates that as the patterns and possibilities for working relationships between artists and models continue to expand and evolve, they also remain in dialogue with the past. The practice of working from the model links artists across time-informing, inspiring, and guiding many of the greatest figures in the history of art.

Crawford Alexander Mann III

Exhibition images

Selected Objects

The same photo but printed in a more purplish tone and without the thin white border around it.

Manuel Alvarez Bravo

The Good Reputation Sleeping (La Buena Fama Durmiendo)

Aristide Maillol

The Wave (La Vague)

Philip Pearlstein

Model on a Stool

Eric Gill

Pencil Sketch:Nude

Andy Warhol

Unidentified Woman (Short Blonde Hair)
A black and white chalk drawing of two male on blue-toned paper. The figure in the foreground is seated, collapsed backwards onto the man behind him who is pointing leftward.

Louis de Boullogne the Younger

Two Male Nudes

Rembrandt van Rijn

Male Nude Seated and Standing (Het Rolwagentje)

Erich Heckel

Am Strand (At the Beach)
  • More objects +

Exhibition Checklist

Changing Poses : The Artist's Model

November 12, 2010 - June 6, 2011
View Checklist pdf
View Checklist pdf
Download

/

RISD Museum

  •  Facebook
  •  Twitter
  •  Instagram
  •  Vimeo
  •  Pinterest
  •  SoundCloud

Footer Main

  • Become a Member
  • Who We Are
  • Opportunities
  • Rent the Museum

Footer Secondary

  • Image Request
  • Press Office
  • Rent the Museum
  • Terms of Use