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A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Drawing Closer

Four Hundred Years of Drawing from the RISD Museum
March 12 - September 4, 2022
A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.
Anton Løvenberg, Study after a Plaster Cast of a Male Torso. Gift of Frederick Lovenberg

Introduction

This exhibition invites you to consider what drawings look like, what they were made from, and why they were made. Highlighting the most common drawing materials and techniques employed by European artists from the 1500s through the 1800s, seven sections discuss some of the functions these works served in the artists’ studios and the world beyond. This emphasis on materials and purposes moves beyond chronology or national classifications, encouraging nonlinear explorations of variety of works European artists produced during their first 400 years of drawing on paper the remarkable variety of works European artists produced during their first 400 years of drawing on paper.

The RISD Museum’s collection exists to teach and inspire the next generations of artists and makers, and it continues to be a resource for exploration, critical reflection, and wonder for wider audiences. Drawing Closer is the first step, whether you are encountering these works for the first time or looking at them afresh.

Jamie Gabbarelli

Prince Trust Associate Curator, Art Institute of Chicago

Former Associate Curator of Prints, Drawings, and Photographs, RISD Museum

Jamie Gabbarelli

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Publications

  • Digital Publication

Drawing Closer: Four Hundred Years of Drawing from the RISD Museum

Related Objects

Red, white, and black chalk roundel-shaped portrait of a white woman with blue eyes wearing a white cloth head covering. She is in three-quarter view, looking directly at the viewer.

Gérard de Lairesse

Portrait of a Woman Probably Marie Salme, the Artist’s Wife
A loosely brushed watercolor landscape painting of a breezy green field of hay and a cloudy but bright blue sky. In the midground, peasants and horses work the hayfields.

David Cox the Elder

The Hayfield
A finely detailed watercolor study of blue juniper berries and orange leaves. The spray sits in the middle of white background with vigorous brushstroke marks visible.

John Ruskin

Study of Juniper
A pen and ink design plan for a Rococo interior corner containing a clock, bureau, table, and elaborate candelabra.

Franz Xaver Habermann

Design for an Interior Elevation
A satirical pencil drawing of an anamorphic penguin dressed as a 19th century princess in full profile. Facing left, the penguin woman wears an extravagant gown, cape and hat.

J. J. Grandville (Jean-Ignace-Isidore Gérard)

Study for “Ne la trouvez-vous pas jolie?” (“Don’t you find her pretty?”)
An ink and wash drawing of a hooded monk exiting a long dark corridor. The hall is pierced by a stream of light let in through the open door.

François-Marius Granet

A Friar in the Doorway of a Convent
A pen and ink and drawing of a deceased man's will being opened. Beside the deceased, one man reads off a paper as others fight for his possessions in anguish.

Jean-Baptiste Greuze

The Opening of the Will

Pieter Jansz. Pourbus

Study for The Last Judgment
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