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Utagawa Kuniyoshi

December 10, 1997 - March 8, 1998

Introduction

The works of the nineteenth-century printmaker Kuniyoshi and his contemporaries have been described as "decadent" in the traditional history of Japanese printmaking. One glance at the prints exhibited here shows how impressive they are in reality. Kuniyoshi's brilliant colors and bold compositions complement his subjects, which are often drawn from historical narrative or legendary and supernatural tales. His powerful compositions, frequently executed in the form of triptychs, are conceived on a scale unknown before the nineteenth century.

This small exhibition commemorates the two hundredth anniversary of Kuniyoshi's birth on January 1, 1798. The works selected, most of which date to the 1840s and 1850s, convey the richness of the artist's creative imagination and his broad-ranging interests. In addition to his narrative illustrations of historical and legendary subjects, the exhibition includes a Buddhist triptypch, prints of courtesans and genre scenes, bird-and-flower prints, and a sketchbook of preparatory drawings for print compositions.

Kuniyoshi 's prolific output shows how widely his prints were appreciated during his own lifetime. Their vitality, brilliant surfaces, and forcefully expressive designs may still be savored by the contemporary viewer, whose enjoyment begins with an understanding of these qualities of Kuniyoshi 's art.

Related Objects

No Image Available

Utagawa Kuniyoshi 歌川国芳

The last stand of the Kusunoki at Shijonawate (Nanke yushi shijonawate nite uchijini), Edo (Japanese period)
Traditional Japanese woodblock print of three women in intricate kimonos
folding vibrantly patterned fabrics. Two of the figures are looking at each other, while the other looks in a mirror.

Utagawa Kuniyoshi 歌川国芳

The Bride Changing Clothes After the Wedding Ceremony (婚礼色直し之図 Konrei ironaoshi zu), Edo Period
Japanese woodblock print of yellow and orange flowers with blue-green leaves against a background of a large, looming, and pale moon. Calligraphy script is to the left of the composition.

Utagawa Kuniyoshi 歌川国芳

Chrysanthemums Under the Moon, Edo Period
No Image Available

Utagawa Kuniyoshi 歌川国芳

Parody of the Sixteen Disciples of Buddha (Mitate Juroku rakan), Edo Period

Utagawa Kuniyoshi 歌川国芳

The last stand of the Kusunoki at Shijō-nawate (Nanke yūshi shijō-nawate nite uchijini), Edo (Japanese period)
A three paneled woodblock print of three women in intricate kimonos among tree branches with small white flowers. The beige background features calligraphy script at the bottom of each panel.

Utagawa Kuniyoshi 歌川国芳

Plum Trees at Night (夜の梅 Yoru no ume), Edo Period
Traditional woodblock print of three women in colorful kimonos. The figure in the center is dressed in grand attire, the two other women to her sides assisting in grooming practices.

Utagawa Kuniyoshi 歌川国芳

Sakaki: Omiwa (榊おみわ), Edo Period
No Image Available

Utagawa Kuniyoshi 歌川国芳

Parody of the Sixteen Disciples of Buddha (Mitate Juroku rakan), Edo Period
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