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showing 23 search result out of 426

  • Books

A Handbook of the Museum of Art, Rhode Island School of Design

  • Books

Whistler to Weidenaar

American Prints 1870-1950
  • Books

The First America

Selections From the Nancy Sayles Day Collection of Latin American Art: An Exhibition of Works from the Museum of Art, Rhode Island School of Design
  • Books

American Furniture In Pendleton House

  • Books

Old Master Drawings from the Museum of Art, Rhode Island School of Design

  • Books

Fantastic Illustration and Design in Britain, 1850-1930

  • Books

Selection VII

American Painting from the Museum's Collection, c.1800-1930
  • Books

The Albert Pilavin Collection

Twentieth-Century American Art, II
  • Books

Selection III

Contemporary Graphics
  • Books

Selection II

British Watercolors and Drawings from the Museum's Collection
  • Books

Venice in the Eighteenth Century

Prints and Drawings
  • Books

The Pendleton Collection

Gina Borromeo and Jan Howard at Brown's Center for Public Humanities

Benin Head of an Oba
How did this get here?

RISD Museum curators Jan Howard and Gina Borromeo share the RISD Museum’s process for deaccessioning a bronze head of an oba from Benin prior to its return to Nigeria

Wood in the Middle Ages

College Student Voices

During the Fall of 2015, Sheila Bonde’s graduate students in the Department of the History of Art and Architecture at Brown University undertook an investigation of the wood sculptures in the RISD Museum collections. This multi-author paper includes some of their findings.

Message from Director John W. Smith

Dear Museum Friends,

As the world bears witness to the recent tragedies of George Floyd’s death, the deaths of Breonna Taylor, Ahmaud Arbery, and the countless numbers of Black people before them, it’s difficult to feel like I have anything new to say on a subject that I should meet with respectful listening, but as the director of this institution it is my job to lead both in words and in deeds.

Jewelry from the Decorative Arts and Design Collection

Curator

The American and European jewelry collection at the RISD Museum, part of the Decorative Arts and Design Department, is made up of more than 800 works, including necklaces, earrings, bracelets, and rings from the medieval period to present day.

An ornate silver desk with a matching chair, both adorned with intricate floral inlay and curved legs. The desk features drawers and a central mirror framed in elaborate silverwork.

The Long Road Home

The Gorham Writing Table and Chair
Curator

After a half-century's journey, Gorham's magnificent writing table and chair made for the 1904 St. Louis World's Fair returned home to Providence.

An intricately painted ceramic bowl with a bustling city scene, featuring colorful buildings, trees and figures, and including a gold rim.

On the Other Side

College Student Voices

A glimpse into the lives of international merchants in Canton, China.

Fashionable dress women walks her dog in Boston Public Garden

American Drawings and Watercolors

Childe Hassam's Woman and Mastiff in the Boston Public Garden and Diamond Cove, Appledore
Curator Drawing

Childe Hassam, a successful young book and magazine illustrator, made his first trip abroad in 1883, disembarking in Great Britain then making a wide sweep through France, Holland, Switzerlan

American Drawings and Watercolors

Reginald Marsh
Curator Drawing

Reginald Marsh, the son of American artists Fred Dana Marsh and Alice Randall Marsh, was born in Paris in 1898.

Surprise Endings: Gorham Silver's Mythologique

Curator

This rare example of Gorham's "Mythologique" flatware service was purposefully left unfinished as they are samples, combining elaborate hand-worked detail with mechanized brute force.

What Comes Down Must Go Back Up: Reinstalling RISD's Chihuly Chandelier

Curator

Safely stored away during gallery renovations, all 196 pieces of RISD's Gilded Frost and Jet Chandelier by Dale Chihuly have been expertly reinstalled.

Collaboration and the Late-Medieval Book

Curator

Books of hours made during the late Middle Ages and Renaissance were products of collaboration between scribes, illuminators, bookbinders, and, sometimes, the original patron or owner. A recent acquisition of a French book of hours made in Rouen around 1510 tells the story of this collaboration through the structure of its contents, iconography, and assembly.

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