The RISD Museum was an essential part of my childhood.

The Teen Intensive is an annual two-week program that brings teens together to explore their own creative processes by meeting with artists and museum staff, participating in art-making workshops,

Curator Jan Howard speaks with the artist about work in each of the exhibition's four sections tracing Sikander's artistic journey as she moved from Lahore, to Providence, to Houston and New York during the foundational years of her practice between 1987-2003. The themes and techniques discussed continue to resonate in Sikander's work today.

Students in Mariela Yeregui's Decolonial E-Textiles class create radical, critical, situated, and anticolonial projects that combine textile techniques with simple and low-tech electronic mechanisms.

What happens when an analog object is brought into a digital space or when an analog object inspires a digital work?

Object Lessons is an ongoing video series on the RISD Museum website that focuses on works in the collection and offers new perspectives.

Marking the Museum’s entrance into online publishing, Altered States: Etching in Late 19th-Century Paris combines a scholarly collection of essays with a video glossary of printmaking techniques.

Artist Nafis White on her project Raid the Database 2

Curatorial assistant of contemporary art A. Will Brown on "Raid the Database 2 with Nafis White"

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

For conservators, fabrics incorporating metallic components raise complex questions about construction, materials, and manufacturing techniques, all of which impact how an object will be stabilized and displayed

Bhasha Chakrabarti  

b. 1991; from Honolulu, Hawaii; works in New Haven, Connecticut

Ashdeen, design studio

Mariela Yeregui was the 2022–2024 Faculty Fellow in Costume and Textiles at the RISD Museum. In this summary of her work, she describes her research, social practice, and the e-textile she created at the conclusion of the position.

Traditional museum practice has a gigantic carbon footprint. How is the RISD Museum changing its own practices in response to the climate emergency?

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

Curatorial assistant of contemporary art A. Will Brown interviews artist Steffani Jemison about her film *Maniac Chase* (2009), *Escaped Lunatic* (2010–2011) and Personal (2014)

Looking closely at a print by artist Jacob Lawrence showing voters in the 1920s, artist and activist Jordan Seaberry shares why voting matters.

This article provides a brief introduction to this finely carved and dynamic sculpture of the Archangel Gabriel.

Agrippina the Younger watches as men of the emperor move nearer and nearer to her. They carry weapons. Having survived one attempt on her life, she knows that she will not survive another.

Exploring the process and context behind "Cold Moon X", a work created by Jamestown artist Georgia Marsh.

These are additional resources we’ve found useful to engage in dialogue and to provide information around environmental and climate issues, impacts and actions.