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A fair-skinned figure with dark hair in a pink gown with soft ruffles and subtle floral details, sitting gracefully and gazing to the side against a dark burgundy background.

Communicating Melancholia /

Sad Young Men and Portrait of a Lady in Pink
Student Voices

to sit for a portrait

Confronting Ourselves Together

All-Staff Dialogues at the RISD Museum
Educators

Many museums today struggle with confronting their problematic legacies and transforming their current practices to become the diverse, inclusive institutions they aspire to be.

229 Felixes

College Student Voices

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements

“The best portrait Joseph Blackburn [never] painted”

John Singleton Copley’s Portrait of Theodore Atkinson, Jr.
Curator

In the January 1920 Bulletin of the Rhode Island School of Design, RISD Museum director L.

A black-toned painting with ominous abstract, elongated forms, faint linear details, small geometric white details, and a small cluster of green, blue, and red color.

Troubled Earth

College Student Voices

RISD Museum Summer researcher discusses Wifredo Lam's 1959 painting Près des Îles Vierges as a reflection of his complicated relationship with revolutionary Cuba and evolving understanding

Black and white photograph of a woman of color sculpting a large stone block with hammer and chisel in hand. She is intent on her task.

Nancy Elizabeth Prophet

Reading List

This reading list is not exhaustive and serves as a starting point to learn more about Nancy Elizabeth Prophet.

a group of people on scooters wearing pink and red ponchos

Interview with artist UuDam Tran Nguyen

Curator Student Voices Studio Notes

Editor of publications Amy Pickworth, intern Joanna Cortez, and curatorial assistant of contemporary art A. Will Brown interview UuDam Tran Nguyen about his single channel video Waltz of The Machine Equestrians--The Machine Equestrians (2012).

Reconstructing the Villa Fondo Bottaro

Studio Notes

Architect James Stanton-Abbott explains his process for creating a computer-rendered reconstruction of a room in an ancient Roman villa near Pompeii, using images of wall-painting fragments in the RISD Museum and the MFA, Boston.

Graphic Design Next

College

Graphic design students and professionals offer their visions of "Graphic Design Next."

Objects Tell Stories

College Student Voices

A wooden “do not touch” partition usually separates the period room in Pendleton House from the public. But one Monday in June, that partition was removed, and museum staff peopled the room.

Arlene Shechet Interviewed by Judith Tannenbaum

Curator Studio Notes Artist

Arlene Shechet discusses the production of works for and the installation design of Arlene Shechet: Meissen Recast with the exhibition's curator, Judith Tannenbaum.

American Drawings and Watercolors

Grant Wood's Plowing on Sunday
Curator Drawing

Plowing on Sunday, from about 1934

Project Projects website for SALT. Photo Project Projects

Building a Bigger Picture

An Interview with Rob Giampietro of Google Design NY
Portfolio Studio Notes

What are the essential questions museums need to ask themselves to understand the future of art?

Crafting the Photography for the Book Artist/Rebel/Dandy: Men of Fashion

Portfolio

RISD Museum object photography generally follows typical museum practice: a straightforward approach to framing and lighting with great concern for color fidelity. For *Artist/Rebel/Dandy*, the curators suggested that we go in a different direction.

American Drawings and Watercolors

Eastman Johnson's Child in Bed
Curator Drawing

Eastman Johnson was raised in Maine in a family of eight children, and

Substitutions

College Studio Notes Artist

Composer Shawn Greenlee's experimental sound work Substitutions is inspired by the Chinese lithophone in the RISD Museum's Asian art collection

The Hypersexualization of Black People

College Student Voices

RISD student Abena Gyampo traces the history of the hypersexualization of black bodies from the early 19th century to contemporary popular culture

An Ambitious but Essential Multi-Purpose Checklist for Discerning Black Artists

College Student Voices

1. Be steadfast.

A grid of twelve pixelated rectangles

Seeing the History of Colonialism Through Resorts

College Student Voices

Artist and student Jade Cannata creates a chart describing the racial demographics of three all-inclusive resorts in locations with strong historical connections to colonialism, showing the effects of history on the present

Sandy-toned, weathered stone slab with evenly spaced etched inscriptions filling the tablet and a broken-off bottom corner piece.

Reading Inscribed Letters from Roman Macedonia

RISD Museum’s important Greek inscription dates to the period when Rome dominated the Eastern Mediterranean.

Colored pencil drawing of a white middled aged woman in a bright blue dress and sunglasses. Sh is seated on a red chair and holds a colorfully embroidered purse in her right hand.

Portrait of an Embroidered Purse

A Conversation with Christina Bevilacqua
Student Voices Artist

The handmade object has a tendency to prompt memories from the craftsperson who made it. In this reflection on an embroidered purse from the 1970s, Ariel Wills and Kate Irvin are joined by maker Christina Bevilacqua for a dynamic conversation that demonstrates the narrative qualities embodied in material culture.

group of flatware with hand placing serving spoon into frame

Virtual Class Visits

Our academic programs and curatorial staff look forward to working with you to develop plans for virtual classroom connections.

Diana Mantuana, Renaissance engraver

Curator

A rare female artist, Diana Mantuana's engraving of Atilius Regulus in a Barrel plays an important role in the history of the practice of printmaking and its reception in Renaissance Italy.

Lobsters and Snowshoes

The Hayes Presidential Service
Curator

A chance meeting between the wife of President Rutherford B. Hayes and Theodore Davis, an illustrator and journalist for "Harper's Weekly", in the White House conservatory produced one of the most extraordinary dinner services.

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