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showing 24 search result out of 168

  • Books

The Chazan Collection at the RISD Museum

  • Article

Ingres Study in Three Parts

  • Journal

Manual / Issue 5

Unfinished
  • Journal

Manual / Issue 2

Loreum Ipsum
  • Journal

Pilgrims of Beauty

Art and Inspiration in 19th-Century Italy
  • Journal

From Dürer to Van Gogh

Gifts from Eliza Greene Radeke and Helen Metcalf Danforth
  • Books

Selected Works

  • Books

Edgar Degas

Six Friends At Dieppe
  • Journal

Historic Wallpapers

1750-1949
  • Books

On the Wall Contemporary Wallpaper

  • Books

European Paintings and Sculpture, ca. 1770 - 1937

  • Books

A World of Costume and Textiles

A Handbook of the Collection
  • Books

A Handbook of the Museum of Art, Rhode Island School of Design

  • Books

The First America

Selections From the Nancy Sayles Day Collection of Latin American Art: An Exhibition of Works from the Museum of Art, Rhode Island School of Design
  • Books

Old Master Drawings from the Museum of Art, Rhode Island School of Design

  • Books

Selection VII

American Painting from the Museum's Collection, c.1800-1930
  • Books

Selection V

French Watercolors and Drawings, ca. 1800-1910
  • Books

Exchange Exhibition, Exhibition Exchange

From the Collection of Rose Art Museum, Brandeis University; From the Collection of The Museum of Art, Rhode Island School of Design, Providence.
  • Books

Venice in the Eighteenth Century

Prints and Drawings
  • Books

The Lucy Truman Aldrich Collection of European Porcelain Figures of the Eighteenth Century

Wood in the Middle Ages

College Student Voices

During the Fall of 2015, Sheila Bonde’s graduate students in the Department of the History of Art and Architecture at Brown University undertook an investigation of the wood sculptures in the RISD Museum collections. This multi-author paper includes some of their findings.

Two demonic figures climbing on a a tent. Shapes shown in black ink on cream paper as silhouettes. In lower left are 10 lines of small handwritten letters in Inuktitut writing. Writing translates to English: The Torngat that come knocking in the night. This story was terrifying when my father and grandmother told it. I mean, it was very scary. Long ago, in a tent, when they still used sealskin tents, as darkness fell, these creatures would scratch at the tent. The people were so scared that they couldn’t speak a word. They must’ve been the devils children, his daughters or his sons. No one dared to leave during this time. They circled the tent all night long, scratching at it. It would eventually stop in the dead of night.

Inuit Printmaking and the Concept of Purity

College Student Voices

This article explores the concept of purity in criticisms of Inuit prints by briefly introducing the history of printmaking in Cape Dorset and looking at 1970s Western art historians' expectations of Inuit art.

Fashionable dress women walks her dog in Boston Public Garden

American Drawings and Watercolors

Childe Hassam's Woman and Mastiff in the Boston Public Garden and Diamond Cove, Appledore
Curator Drawing

Childe Hassam, a successful young book and magazine illustrator, made his first trip abroad in 1883, disembarking in Great Britain then making a wide sweep through France, Holland, Switzerlan

A portrait of a blond-haired, dark-eyed, rosy-cheeked child in a voluminous blue bonnet and top painted with soft, loose brush strokes and unfinished areas revealing the tan canvas beneath.

New Ways to Paint

Simone in a Blue Bonnet
Curator How To

Unfinished paintings by Eastman Johnson, John Singer Sargent and Mary Cassatt reveal new techniques that emerged in France in the second half of the 19th century.

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