Robert Emlen, curator at Brown University, and furniture designer, Timothy Philbrick examine the craftsmanship, features, and significance of the Goddard/Townsend desk and bookcase.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Plowing on Sunday, from about 1934

Object Lessons is an ongoing video series on the RISD Museum website that focuses on works in the collection and offers new perspectives.

RISD Museum’s important Greek inscription dates to the period when Rome dominated the Eastern Mediterranean.

Books of hours made during the late Middle Ages and Renaissance were products of collaboration between scribes, illuminators, bookbinders, and, sometimes, the original patron or owner. A recent acquisition of a French book of hours made in Rouen around 1510 tells the story of this collaboration through the structure of its contents, iconography, and assembly.

Understanding historic frames and how to care for them can be a complicated matter.

Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

The RISD Museum’s 2009 acquisition of the Richard Brown Baker collection included two drawings by the English artist Howard Selina—Cowboy Hat (1974) and Two Boots (1974)—carefully and precisely rendered drawings in graphite on paper of well-worn, utilitarian garments.

The history of the Gorham Manufacturing Company is intertwined with that of Providence and Rhode Island. This uniquely local story has provided the opportunity for the RISD Museum to learn from the experiences of community members who have intersected with Gorham's legacy.

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

A summer intern describes her experience delving into the RISD Museum's databases, searching for human elements