A summer intern explores the context of ceremonial objects significant to RISD’s past and present.

Faculty member Rosa Weinberg reflects on the relevancy of art analysis as a starting point for exploring form in design and as a powerful habit of mind for beginning designers.

Using a questionnaire, curator Peter Selz—and the artists he queried—helped define a movement.

Egungun costumes are usually created from a wide variety of carefully chosen fabrics ranging from exquisite samples of local handwoven aso ofi to exotic fabrics imported from aro

Intern Margaret North finds that every successful treasure hunt has a moment of shining glory.

The Teen Intensive is an annual two-week program that brings teens together to explore their own creative processes by meeting with artists and museum staff, participating in art-making workshops,

Marking the Museum’s entrance into online publishing, Altered States: Etching in Late 19th-Century Paris combines a scholarly collection of essays with a video glossary of printmaking techniques.

In the Middle Ages, several saints were represented as knights in art, making it difficult to identify RISD’s Crusading Saint. This article will explore his possible identities.

Curator Maureen C. O'Brien discusses American drawings and watercolors in the RISD Museum collection

Insights into Ingres's studio practice and clues to his intellectual process

How do we describe images and the experience of looking at images? Student Grace Xiao reflects on the process of writing alt text for "Variance: Making, Unmaking, and Remaking Disability."