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showing 9 search result out of 9

Typographic Tightrope

Designing Circus
Perspectives Portfolio

A look at the graphic-design inspiration and challenges behind Circus.

Exhibition Design

Intermission
Portfolio

In December of 2016 the RISD Museum needed to deinstall its European Galleries in order to renovate them.

Object Lessons

Curator Portfolio

Object Lessons is an ongoing video series on the RISD Museum website that focuses on works in the collection and offers new perspectives.

Gallery Guide / Kudzanai Chiurai: Iyeza

Curator

Full tgallery guide from the exhibition Kudzanai Chiurai: Iyeza

Video still from Kudzanai Chiurai, Iyeza

Interview with artist Kudzanai Chiurai

Curator Studio Notes Artist

Curatorial assistant of contemporary art A. Will Brown interviews artist Kudzanai Chiurai about his film "Iyeza"

Egungun Atipako—with hand-woven aso ofi textiles. Ibadan, Nigeria. Photo: Bolaji Campbell, 2007

Cloth as Metaphor in Egungun Costumes

Curator Perspectives

Egungun costumes are usually created from a wide variety of carefully chosen fabrics ranging from exquisite samples of local handwoven aso ofi to exotic fabrics imported from around the gl

Testing projected graphics for Arlene Shechet: Meissen Recast in the RISD Museum Graphic Design Office

In Production

Graphic designers share their work
Portfolio

As the RISD Museum hosts the final stop on the tour of Graphic Design: Now in Production, an exhibition that began at the Walker in 2011, we're starting a series that updates the show by checking in with some of the designers featured in it, to see the work they have been doing since 2010.

Out of Line exhibition

Exhibition Design

Out of Line
Portfolio

This was the introduction to Out of Line, an open studio space for RISD Museum visitors during the run of the exhibition Lines of Thought: Drawing from Michelangelo to Now From the British Museum (October 6, 2017–January 7, 2018).

Robert Mapplethorpe's Objectification of the Black Male Body

College Student Voices

RISD student Tito Crichton-Stuart analyzes Robert Mapplethorpe’s exoticisation of the black body and proposes potential acquisitions that could serve as counterpoints in the collection

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