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A charcoal drawing of a sculptural, nude male torso seen from behind. The figure is heavily shaded and detailed, and fine lines express detailed contours of the body.

Drawing Closer

Four Hundred Years of Drawing from the RISD Museum
March 12 - September 4, 2022

The Brilliant Line

Following the Early Modern Engraver, 1480-1650
September 18, 2009 - January 3, 2010

From Dürer to Van Gogh

Gifts from Eliza Greene Radeke and Helen Metcalf Danforth
June 5 - October 26, 2008
A pen and ink with brown wash gestural drawing of Christ’s body being taken down from the Cross by his followers and Mary. The faceless figures create a pyramid form.

Design and Description

Renaissance and Baroque Drawings
January 27 - April 9, 2006

Treasures on Paper

Drawings and Watercolors from the Permanent Collection
June 13 - August 19, 1989

Helen M. Danforth

A Tribute
June 21 - September 8, 1985

Old Master Drawings

September 2 - October 16, 1983
Marble bust from the neck up of a realistically carved bearded man with loose curly hair and furrowed brows resting on a pedestal against a gray backdrop.

Ancient Greek and Roman Galleries

New Acquisitions 1966-1967

September 1 - October 29, 1967

Italian Art in Celebration of Rhode Island’s Italian Festival; Seven Centuries of Italian Art

CRIA Benefit Exhibition
April 12 - May 21, 1967

Prints and Drawings with a Classical Reference

December 15, 1965 - January 9, 1966

Italian Drawings from the Museum's Collection

March 17 - April 16, 1961

Italian Drawings of the 16th Century--18th Century, Recently Acquired

October 22, 1952 - January 6, 1953

Engravings of the 15th and 16th Centuries

November 10, 1948 - February 4, 1949
  • Digital Publication

Drawing Closer

Four Hundred Years of Drawing from the RISD Museum
  • Books

The Brilliant Line

Following the Early Modern Engraver, 1480-1650
  • Books

Selected Works

  • Books

Old Master Drawings from the Museum of Art, Rhode Island School of Design

  • Books

Classical Jewelry

Ancient Jewelry from the Museum's Collection

The Head in Focus

Benin Art and Visual History
How did this get here?

The discovery of these treasures resembles that of a valuable manuscript. They are a new “Codex Africanus,” not written on fragile papyrus, but in ivory and imperishable brass.

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